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Scrappy Little Nobody
Anna Kendrick (Into the Woods, Pitch Perfect) is releasing a collection of essays, Scrappy Little Nobody, this November. If it’s anything like her Twitter, I’m sure we’ll be laughing. For fans of Kendrick, check out our own Sonya Chung’s review of Up in the Air.
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An Irish Take on the NYC Grid
New York City’s municipal grid turns 200 this year. To commemorate, author and Year in Reading alumna Belinda McKeon notes the way New Yorkers utilize it as they “don’t wander so much as dart” from place to place.
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Straight to the Moon
Looking for something to watch this weekend? Might I recommend Moon (2009), starring Sam Rockwell? It’s available for free on YouTube.
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Televising Literature
“Tom Stoppard isn’t shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy’s Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford’s sprawling modernist masterpiece Parade’s End.”
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Swamplandia! Gets Top 10
Karen Russell, author of Swamplandia!, (who I interviewed last February) is having a very good year. She has a spot on the NYT list of the 10 Best Books of 2011, and last month HBO optioned the novel for what they describe as a “half hour comedy series.”
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Vactioning with the Fitzgeralds
Want to wean yourself off gin, recover from tuberculosis, and work on your novel? Don’t go to Asheville, North Carolina. NPR reports that F. Scott Fitzgerald and Zelda spent two tumultuous summers in the town, where Zelda was in a psychiatric hospital and Scott was suicidal. For more on the unhappy life of Zelda, read our review of Z: A Novel of Zelda Fitzgerald.
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Fairytales Revived
Fans of Hans Christian Andersen, a new edition of The Little Mermaid was published on Tuesday. Artist Yayoi Kusama has illustrated the classic fairytale.
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A writer by any other name…
Using pen names has been a common practice for, well, a very long time. George Eliot is a nom de plume, as are George Orwell and George Sand. Though not a George, journalist Sarah Hall chose to publish her fiction under a different name. She writes for The Guardian about this decision, the history of the pen name, and the reasons authors continue to use them.