Have you ever heard of a dog-ear poem? Finding one could net you $100 and a one-year subscription to Found Poetry Review.
Lend Us Your Ears (And Win $100)
Line by Line
This week in Fascinating Archive Picks: The New Statesman dug up a Philip Larkin essay from 1962. Kicking off with an eccentric fantasy of hearing Shakespeare’s voice on vinyl, the essay delves into the importance attached to a poet’s voice, which impels Larkin to regret that early record producers didn’t think to record Thomas Hardy. Related: Leah Falk on reading poems aloud.
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Stories and Glass
From the Paris Review: Daniel Torday on lost family stories, Pliny the Elder, and the origins of glass.
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The Island of Last Chances
Have you ever had a script rejected? Did you reassure yourself it had to do with just about anything other than the quality of your writing? Well now's the chance to put your money where your mouth is - a new Hollywood startup called Adaptive Studios is "rummaging through the trash" and breathing new life into dead movie scripts.
Unfamiliar Discourse
Recommended Reading: Je Banach on what literary discourse offers in an age of extremism. For Banach, literary discourse is "the language of our future because it is the language of confronting that which is foreign to us."
Dostoyevsky, Babel, Brodsky, Pussy Riot?
In their closing statements, Russian dissidents du jour Pussy Riot cited the authors who inspired them and placed themselves in Russia's rich history of imprisoning their artists. Also check out Carol Rumens's excellent translation of the song that landed Pussy Riot in hot water.
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How Not to Have an Awful Panel
From the pedant to the eulogist, here are four distinct personality types that are sure to derail your literary event. While we’re at it, here’s to hoping that none of these four individuals show up to your next marathon reading.
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