Idris Elba, Sean Penn and Javier Bardem have signed on to star in a film adaptation of Jean-Patrick Manchette’s novel, The Prone Gunman. According to Christian Blauvelt of Hollywood.com, “Elba will be playing a cloak-and-dagger agent named Dupont who tangles with Sean Penn, who also plays an agent for a clandestine operations outfit who is betrayed by his organization, forcing him on the run across Europe.”
Dave Eggers’ latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that’s a collaboration with his artist daughter Kate Russo. Sheila Heti’s How Should a Person Be? is out (Don’t miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow’s The Kings of Cool (a prequel to Savages), Joshua Henkin’s The World Without You, and Carol Rifka Brunt’s Tell the Wolves I’m Home. In non-fiction, There’s David Maraniss’ Barack Obama: The Story.
Heads up, writerly types! Dzanc Books is looking for submissions for their newly-announced 2016 Prize for Fiction. Judges Carmiel Banasky, Kim Church, and Andrew F. Sullivan will determine the winner, who is slated to receive publication and a not-so-insignificant $10,000 prize. Go get published.
Graywolf Press is having an All-American Sale this month, and that means you can celebrate Independence Day by grabbing any books with “America” in their title for 30% off. Each purchase will also include Elizabeth Alexander’s Praise Song for the Day chapbook – featuring the poem read at Barack Obama’s first inauguration.
“I was also deeply protective of my father, who at the time of my reading was struggling with illness and other demons. Yet I saw painfully how he could also be a figure of fun. It dawned on me that Cal, supposedly a great friend, might be mocking him—even just by writing about his mockery by others. I registered the first stirrings of an uncertain dislike.” Diantha Parker considers her father’s long friendship with Robert Lowell, immortalized in Lowell’s poem “To Frank Parker.”
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.