Writing for Airship Daily, Freddie Moore provides an overview of ten of her favorite unpublished J. D. Salinger stories. She also shares instructions on how to find – while being careful not to link directly toward – a “207-page trove of 22 out-of-print pieces available online.” This is for the best, considering the relationship between the Catcher in the Rye author, his unpublished works, and U.S. copyright.
It’s not online but “The Boy Who Had Never Seen The Sea” by newly named Nobel laureate Jean-Marie Gustave Le Clézio appears in this week’s New Yorker. See our recent guest post about publishing Le Clézio.In last week’s New Yorker, Malcolm Gladwell was back, this time talking about “genius.” His guinea pigs were Ben Fountain and Jonathan Safran Foer.The headline says it all: “Karl Marx’s book sells as Germany economy sinks.””The _______of________“The fall issue of The Quarterly Conversation has arrived.
The music video for “Sweater” by Belgian indie outfit Willow relies on an impressive balance of timing, treadmill coordination, projection, and camera-work. A lot of ground is covered in a single room. It’s positively crazy. You might even say it’s virtual insanity. (Sorry I’m not sorry.)
Equal parts voyeuristically indulgent and unapologetically stimulating, Unpacking My Library: Writers and Their Books is the second installment in Yale University Press’s ongoing series, a journey into the personal libraries of thirteen favorite authors. This installment? Alison Bechdel, Stephen Carter, Junot Díaz, Rebecca Goldstein, and more.
“Three weeks before she died on July 25, 2012, Marcia (Marty) Brown Stern ’54 sent me a registered letter, which began, ‘What is enclosed may astonish you.’ Indeed it did. The envelope included a draft of ‘marcia,’ an unpublished poem that Sylvia Plath ’55 wrote about their sophomore year together at Smith College in 1951.”
Recently, we featured five writers’ reminisces about the novels they ultimately shelved. Here a sixth, Elmo Keep, explains what led her to throw away her first novel, quite outside considerations of craft:”I could not resolve the conflict of a story that was not mine.”