Millions alumna Emily M. Keeler interviewed author David Gilmour for Hazlitt’s Shelf Esteem blog. In the process (and perhaps because he was distracted by “a Frenchman”) the author voiced some opinions on female authors that have been called “ill-informed,” “careless and offensive,” and “staggeringly narrow-minded and parochial.” The ongoing kerfuffle prompted Hazlitt to share the unedited transcript from Keeler’s interview, and it’s clear that Gilmour’s remarks were not taken out of context.
“I don’t love women writers enough to teach them.”
The Apples Are a Gift
"This poem fosters reading again and again, because interpretation is always reaching its limits: eventually, one runs up against a secret gesture to which the only response is either to acknowledge that there is some other conscious being that could make or decipher it, or to fantasize the being that could." A long, worthwhile review of R.F. Langley's Complete Poems from 3:AM Magazine.
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The Fictive Wallpaper
Artist Julia Callon creates dioramas inspired by nineteenth-century works of fiction such as Jane Eyre and "The Yellow Wallpaper."
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PEN Pinter Prize
Margaret Atwood has been awarded the PEN Pinter Prize for her environmental and humanitarian rights work. Pair with a review of The Heart Goes Last.
New Release Tuesday
New on shelves this week is John Banville's The Infinities. Also just out is Reality Hunger: A Manifesto by David Shields. (See our early look at the book, our two-part interview with Shields, and Shields' Year in Reading.)
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Just Like in the Movies
Belle and Sebastian’s Stevie Jackson, better known (at least to this writer) as the Sultan of Twee, sits down with Rick Moody as part of the Swinging Modern Sounds feature over at The Rumpus. Among other things, Jackson says that he thinks the John Lennon album Sometime in New York City is a “total masterpiece” and says that at one point in his life he could recite the book Trainspotting.
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