If you were never satisfied with Hamlet’s answer to the famous “to be or not to be?” question, now is your chance to change it. Ryan North rewrote Hamlet as a choose-your-own-adventure book, To Be or Not To Be. You can play as Ophelia, Hamlet, or King Hamlet and choose from more than 110 alternate deaths. Brain Pickings got a first look at some of the book’s excellent illustrations.
Willard Spiegelman’s provocative essay in the VQR’s recent State of American Poetry issue, “Has Poetry Changed?” incited quite a few responses. One of the better rejoinders came from William Childress, whose response, “Is Free Verse Killing Poetry,” raises some excellent points. “Poetry needs readers, not writers,” writes Childress. “But how many poets read any poetry but their own?”
"The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
Our own Bill Morris has a new novel on shelves this week, which you can learn more about in his recent conversation with our own Edan Lepucki. Also out: A Man Called Ove by Fredrik Backman; Wayfaring Stranger by James Lee Burke; All I Love and Know by Judith Frank; Evergreen by Rebecca Rasmussen; The Hour of Lead by Bruce Holbert; The Spark and the Drive by Wayne Harrison; Owen’s Daughter by Jo-Ann Mapson; and Season to Taste by Natalie Young.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
If you want to read a book with obscenity in it in Russia after July 1, you'll find it in a sealed package with a warning label. The law is the latest in Vladimir Putin's censorship crusade and also bans swearing in films and live performance. Interestingly, the banned words are still up for the debate by the Ministry of Culture. At The New Yorker, David Remnick discusses just how unique and diverse the Russian language's profanity is.
The modern maestros of fantasy at Bethesda Softworks penned thousands of pages of text for the Elder Scrolls series, scattering 256 detail-packed, in-game books across 2006’s Oblivion, with a commensurate amount in 2002’s Morrowind. Presumably these tomes were consumed by the hardcore few. Did Bethesda spend countless hours of careful word-crafting for a fanatical minority?