If you were never satisfied with Hamlet’s answer to the famous “to be or not to be?” question, now is your chance to change it. Ryan North rewrote Hamlet as a choose-your-own-adventure book, To Be or Not To Be. You can play as Ophelia, Hamlet, or King Hamlet and choose from more than 110 alternate deaths. Brain Pickings got a first look at some of the book’s excellent illustrations.
How to Be
Borders Officially Closes
The sale of Borders was officially approved yesterday. To make sense of the entire fiasco, Melville House’s Dennis Johnson has a compelling write-up. For most book lovers, their final sale is bittersweet.
Telling the Truth
“There is no such thing as a true story. I know this because my daughter insists I told her to put her dirty dishes in the sink when I know I told her to put them in the dishwasher.” Over at The Rumpus, Ellen Urbani writes about telling the truth.
Image of the Text
Recommended Reading: A brief history of book illustration and books as objects, over at Literary Hub.
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First Printings Get Smaller
PW points out yet another publishing industry totem being torn down by the rise of e-books, the first printing number, once a signifier of how “big” publishers and the media expected a book to be: “In an era when first printings are down because e-books can account for as much as 50% of sales on frontlist titles, the term ‘first printing’ sounds more and more out of place.”
On Equity in Publishing
Over at Paper Darts, Rachel Charlene Lewis argues that editors must be held accountable for the issue of diversity in publishing. As she explains it, “The fun part about focusing instead on the role of editors is that there is an answer—we need more diverse editors, and we need editors who do the work.”
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A Bad Poetry Manifesto
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
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On the Hill
In Garden & Gun, sometime Millions contributors Wells Tower and Nic Brown pen an appreciation of Chapel Hill, NC.
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TLAN News
Three Guys One Book takes an early look at The Late American Novel (co-edited by yours truly and featuring three Millions writers as well as a number of other literary luminaries) and sees it as a great introduction to a whole group of exciting writers. The book has been spotted on shelves in the wild, and we’ll be updating news about the book here. (Readers can also follow the book’s official Facebook page to keep up on events, reviews and other goodies.)
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