“Whatever the [Fulbright] program became,” writes Boston Globe correspondent Sam Lebovic, “it was first conceived as a budget-priced megaphone to transmit American ideas to the world, rather than as a genuine international dialogue.” Indeed, one 1940s newspaper columnist dubbed the program “an ingenious piece of higher mathematics…[that] found a way to finance out of the sale of war junk a worldwide system of American scholarships.”
One of the struggles of being a writer is that everyone else is trying to turn your life into a story. Rebecca Makkai comments on well-intentioned friends who suggest story ideas at Ploughshares. Read a piece of her story (or screenplay) below:
“WRITER: So I was like, ‘Excuse me, are you with the Secret Service?’ and she’s like—
NEIGHBOR’S BOYFRIEND: Wait, wait, have you written this down? Aren’t you a writer? This would make a great story!”
The Masters Review has announced Ann and Jeff VanderMeer as the judges for this year’s Fall Fiction Contest. The winning story will receive a $2,000 cash prize as well as publication in the magazine. Go submit, then read Josh Rolnick’s essay for The Millions on ten things he’s learned in over a decade of sending out stories.
“You’d be hard-pressed to find a book that was at once so bold in style and ambitious in structure and so much fun to read.” The Guardian asks indie publishers about the books that made their year, including Sudden Death by Álvaro Enrigue (whose own Year in Reading you can find here).
Argentina may be offering a $940/month pension plan for writers. Eligibility requirements include 20 years of work in “literary creation” and five published works with ISBN numbers. This bill was proposed amidst the festivities of the Buenos Aires International Book Expo, one of the biggest book expos in the world.
“Embrasser” means to hug and kiss in French, but the new literary journal of the same name is about embracing unique varieties of international French. Embrasser is a Louisiana-based literary translation journal that aims “to highlight and preserve varieties of French that have been marginalized,” founder Emily Thibodeaux said. The journal is accepting fiction poetry, nonfiction, and criticism submissions in English or Louisiana French for its first issue coming out during Mardi Gras 2014.