“Whatever the [Fulbright] program became,” writes Boston Globe correspondent Sam Lebovic, “it was first conceived as a budget-priced megaphone to transmit American ideas to the world, rather than as a genuine international dialogue.” Indeed, one 1940s newspaper columnist dubbed the program “an ingenious piece of higher mathematics…[that] found a way to finance out of the sale of war junk a worldwide system of American scholarships.”
“He is for the most part interested in documenting the sources of our unusual suffering, those initial shocks that brought about the trauma in the first place. Nothing ‘languishes listlessly’ in his music; all those slowly orbiting fragments are drawn back together in furious rotation, sucked inexorably in, towards a volatile core. The mood never stabilizes; madness reigns supreme.” This piece by Tom Regel at The Rumpus on realism in the work of DJ/Producer Flying Lotus is both thorough and convincing.
Edward “The Godfather” Thorp has been widely recognized as the “father of card counting” since the publication of his bestselling book Beat the Dealer in 1962. Today, at 70 years old, the man’s impact on the card game is ubiquitous, but perhaps nowhere moreso than at Las Vegas’ annual Blackjack Ball.
“The late 1920s found him in Hollywood (‘This place is loathsome’) drowning, stingless, in MGM honey, while doing hack work on a silly Marion Davies vehicle. His descriptions of reptilian studio fauna make for delicious reading.” At The Daily Beast, a look at P.G. Wodehouse: A Life in Letters.
At The Wilmington Star News, a round-up of the news coverage of the suicide of The Virginia Quarterly Review‘s managing editor, Kevin Morrissey, and the accusations that Morrissey’s boss, Ted Genoways, the wunderkind editor-in-chief of VQR, may have played a role in the suicide. In the wake of this sad controversy, the University of Virginia has shut down the 85-year-old journal, pending an internal investigation.