We know Ernest Hemingway could drink, but he also could make an excellent burger. At The Paris Review blog, Cheryl Lu-Lien Tan cooked up Papa’s famous patty. “The burger was delicious: each bit of it oozed a complex and textured umami, earthy and deep,” she writes. In other Hemingway news, Harper’s will publish a forgotten story, “My Life in the Bull Ring With Donald Ogden,” in its October issue, but only because Hemingway’s estate wouldn’t let Vanity Fair print it. The magazine rejected the story in 1924 and as his son put it, “I’m not a great fan of Vanity Fair. It’s a sort of luxury thinker’s magazine, for people who get their satisfaction out of driving a Jaguar instead of a Mini.”
There’s a certain narrative voice with an unspoken aim to exonerate the speaker from wrongdoing. It occurs in novels, though it’s most common in monologues, especially those which take up the entirety of a play. At Bookforum, Lurid and Cute author Adam Thirlwell lists a number of examples, including Hunger by Knut Hamsun and Wars I Have Seen by Gertrude Stein.
“Every journal is a confessional. If it’s in the first person, it cannot help but be. Unless the author of it lies to himself—and that makes it even more of a confessional. For some reason, travel brings out confessions one would never make at home. I am trying to draw the rake of my journal over the landscape. Perhaps I will uncover something.” Lawrence Ferlinghetti’s new collection of travel journals, Writing Across the Landscape, is out now. Travel on back to The Millions for Kate McCahill’s essay on traveling with books.
“Porn, Cyberterrorism, The Russian Mob and the Future of Literature” A piece exploring the coming insurrection: digitization – and thus democratization – of books.