The devastating images of Syria shot by Franco Pagetti have been collected into a series entitled Veiled Aleppo. Over at The New Republic, Geoff Dyer writes about one of them. It’s an image, Dyer observes, that features “symbols … of the death throes not of a city but of film.”
In her review of Joe Wright’s cinematic adaptation for Leo Tolstoy’s Anna Karenina, Amanda Shubert writes, “Anna Karenina (2012) is, in fact, a mess. But it’s the kind of mess probably only Wright could make.” She goes on to look at how Wright has adapted work by Jane Austen and Ian McEwan, and how he has continued to face the problem of representing literary style (and form) on the screen.
“For a while, shortly after I finished an undergraduate creative writing course, everything I wrote started with an observation or a realization…I was going to be an essayist, and it was going to be awesome.” At The Morning News, Martin Connelly writes about how he lost his drive to become an essayist and the surprising thing that makes him want to start again — his daughter. For more on the power of the essay, read our interview with Leslie Jamison.
The Faster Times offers up a new dialogue from dynamic duo Jon Cotner & Andy Fitch’s “Conversations over Stolen Food,” which seamlessly segues from Astroglide and Fung Wah buses to Alaskan Brown Bears, and includes a run-in with New York Park Patrol. Images by Paper Monument editor Dushko Petrovich are added eye candy.