Can you tell the difference between complaints by Jonathan Franzen and YouTube comments about the evils of saggy pants?
Everything I Despise
New McEwan on the Way
Here’s another book that will be in our July “Most Anticipated Books” round up: Sweet Tooth by Ian McEwan, said to be set in 1972 and follow a female spy who is a compulsive reader of novels.
Edwidge Danticat on Earthquake in Haiti
Video of Haitian American novelist Edwidge Danticat talking about the earthquake in Haiti at Democracy Now.
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Tuesday New Release Day: McEwan; O’Neill; Tsiolkas; Giraldi; Jones; Gluck; Goldberg; Hunt; Mandel
Out this week: The Children Act by Ian McEwan; The Dog by Joseph O’Neill; Barracuda by Christos Tsiolkas; Hold the Dark by William Giraldi; Prelude to Bruise by Saeed Jones; Faithful and Virtuous Night by Louise Glück; Gangsterland by Tod Goldberg; Happiness: Ten Years of n + 1; Neverhome by Laird Hunt; and Station Eleven by our own Emily St. John Mandel. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
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The Unrealist Novel
Lev Grossman offers some first thoughts on Every Love Story is a Ghost Story, the David Foster Wallace biography written by D.T. Max due out in September. More interestingly, Grossman wonders whether we’re nearing the death of hysterical realism, that manic, maximalist genre James Wood defined in his review of Zadie Smith’s White Teeth.
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Riding Trains Across the Heartland
We’re glad to hear that this autobiographical essay from David Biespiel at The Rumpus is only the first in a sequence of autobiographical portraits to be published on Poetry Wire on his upbringing as a poet.
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Launch Edan Lepucki
You have until midnight tomorrow to launch The Millions staff writer Edan Lepucki’s novella, If You’re Not Yet Like Me, which Ben Fountain calls “extraordinary.” Don’t miss your chance!
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What Are the Chances?
James Tate’s final poem, which was discovered in his typewriter soon after his death, appears in the spring issue of The Paris Review. Pair with Andrew Kay’s Millions essay on the power of poetry.
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Is it sad or awesome that I got 10/10? Probably both.