“All poems of public grief are private poems first,” writes Mark Doty in his evaluation of Wisława Szymborska’s poem, “Photograph from September 11th.” Indeed, what Doty learned “over the course of those dozen years, was that the words one hammers out in private, in order to attempt some kind of sense, may end up being used by people in ways you could have never anticipated.”
John Warner, your personal Biblioracle, is taking his column to the Chicago Tribune‘s Printers Row. Tell him the last five books you’ve read and he’ll recommend something delicious, nourishing, or just plain good for your next great read. Visit the Biblioracle by sending him an email at: [email protected].
“The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own.” For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.
Out this week: The Unwomanly Face of War by Svetlana Alexievich; Madame Zero by Sarah Hall; Fierce Kingdom by Gin Phillips; Gather the Daughters by Jennie Melamed; and Careers for Women by Joanna Scott. For more on these and other new titles, go read our most recent book preview.
If you find cat hair in a book you checked out of the Novorossiysk Library, don’t worry. It belongs to the newest librarian. Kuzya the cat started off as a pet at the Russian library but was promoted after patronage increased due to his presence. The new library assistant even wears a bow tie.