As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Bad Credit
Shatzkin on Digital Revolution
“The book business is a cork floating on a digital device stream,” writes Mike Shatzkin. Is publishing living “in a world not of its own making?”
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A New Native American Epic
There There by Tommy Orange is one of our most anticipated books of the year. It debuts next week and this week Orange receives the New York Times treatment along with a few other rising star indigenous writers in an excellent profile. “Mr. Orange is part of a new generation of acclaimed indigenous writers from the United States and Canada who are publishing groundbreaking, formally innovative poetry, fiction and prose, shattering old tropes and stereotypes about Native American literature, experience and identity. Their ranks include poets like Layli Long Soldier, Natalie Diaz, Joshua Whitehead and Tommy Pico, and the essayists and memoirists Elissa Washuta and Terese Marie Mailhot.
The Fifth Borough
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
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Sick Burns
Daily Show writer Daniel Radosh was asked by his son’s school to sign a permission slip in order to read Ray Bradbury‘s Fahrenheit 451. Hilarity ensued. Also: remember that time a bunch of parents tried to censor The Lorax?
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“The Ukraine is Weak!”
Ever wonder why some countries get a fancy “the” in front of their names?
Never Say Never
We are all Beliebers: the London Review of Books reviews The Love Song of Jonny Valentine, whose author, Teddy Wayne, told us last month that “it misses the point to discard fiction simply because it’s about social media or the celebrity-gossip machine and not Iraq or divorce.”
Motel Hell
The average book tour is filled with indignities, but none may be worse than getting kicked out of a cheap motel, which is exactly what happened to our own Bill Morris on the tour for his latest novel. At The Daily Beast, he recounts the unfortunate events that led to him getting booted from a Motel 6. You could also read his essay on listening to the audiobook of his own novel while on tour.
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Everyone’s a Critic
“A continuation of a book that has proved very popular seldom is successful, and we cannot say that we think Alice’s adventures by any means equal to her previous ones.” The Guardian digs up its original review of Lewis Carroll‘s Through the Looking Glass.
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