As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
This week we have new on shelves: Julie Orringer’s hotly anticipated debut novel The Invisible Bridge; Meghan Daum’s memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer’s Gun by our own Emily St. John Mandel.
“Courage is not a word I’d use to describe a lot of today’s fiction. Writing, M.F.A. students are often told, is a messy exploration of the self. The result can be a suffocating narcissism, a lack of interest in the kind of extrapolation and exploration that is necessary to both mathematics and literature.” At Page-Turner, Alexander Nazaryan urges young writers to learn math.