As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Bad Credit
Don’t Just Stand There
Choire Sicha discusses the use of the phrase “from the sidelines.” (h/t The Awl)
Tuesday New Release Day
This week we have new on shelves: Julie Orringer’s hotly anticipated debut novel The Invisible Bridge; Meghan Daum’s memoir of real estate addiction Life Would Be Perfect If I Lived in That House, Private Life by Jane Smiley, and The Singer’s Gun by our own Emily St. John Mandel.
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Twerking with Morgan Freeman
You might have heard that “twerk” (among other words) has been added to the Oxford Dictionaries Online. But you probably didn’t hear Morgan Freeman reading the definition aloud.
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Evaluate The Integral of Genius
“Courage is not a word I’d use to describe a lot of today’s fiction. Writing, M.F.A. students are often told, is a messy exploration of the self. The result can be a suffocating narcissism, a lack of interest in the kind of extrapolation and exploration that is necessary to both mathematics and literature.” At Page-Turner, Alexander Nazaryan urges young writers to learn math.
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Buying The Believer
The Believer was acquired by the Black Mountain Institute at the University of Nevada, Las Vegas. The magazine will continue to publish bi-monthly, with the first edition under new leadership dropping on August 1st. They’re also hiring a managing editor.
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