As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
Bad Credit
Tiphanie Yanique on the Destruction and Blessing of Love
Tiphanie Yanique discusses her second novel, Monster in the Middle, which follows the maze-like trajectory of generations of love and relationships.
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America’s Next Top Laureate
California’s San Mateo County is “seeking nominations for poet laureate, someone who can act as an ambassador for literary arts.” Do you have what it takes?
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Could the internet save book reviews?
Sarah Fay, associate editor of The Paris Review, has a piece in The Atlantic on the digitization of book reviewing, framed beautifully by references to George Orwell’s 1946 essay “Confessions of a Book Reviewer.” She praises Bookslut, Nancy Pearl, Goodreads, and The Los Angeles Review of Books for their collective skills of recommendation, reviewing, and New Criticism. I’d add The Quarterly Conversation, The Rumpus, The New Inquiry, The Morning News (for their annual Tournament of Books feature), and of course, The Millions.
Rear Window Through One Window
Jeff Desom created a stunning time-lapse composite of Alfred Hitchcock’s classic film Rear Window in which you can see the events unfold chronologically from a single vantage point. More details on how Desom did it can be found on his website.
“We call this fandemonium”
Reuters has a short piece on The Hunger Games and the long tradition of American Literary tourism. Well, when in Rome… or Atlanta…
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The Real Africa
“In Colombia, Mexico, Nigeria, Mozambique, it’s the real thing, not magic, and the only way to tell these stories.” Man Booker International Prize finalist Mia Couto discusses the label “magic realism,” the death of Cecil the lion, his new novel Confession of the Lioness – one of the most anticipated books of 2015, and post-civil war Mozambique. Pair with Philip Graham’s Millions essay on Couto’s fiction.
“Jawline of an aircraft carrier”
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
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A Proofreader’s Value Summed Up
Jim Romenesko’s page dedicated to humorous typos might be the best Pinterest board ever created.
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