Now that Horse_ebooks as we knew it is dead (or alive, depending on your viewpoint), the Internet is convening to pay tribute to the Dadaist masterpiece. At Slate, Will Oremus opines that the feed was “pretty great” even when it was a spambot, while at The Globe and Mail, Navneen Alang argues that it’s “more wonderful today, not less.”
And Are We and Are We
Richard Powers Resets Earth’s Trajectory
Richard Powers discusses his newest novel, Bewilderment, which is set during a period that resembles our own—but not quite.
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Extremely Ephemeral Fiction
Andrew Fitzgerald wants to write “extremely timely fiction, nearly ephemeral.” He wants to write “a story not just set in the present, but set in this very week.” However in order to do that, he’s going to need our help. Check out his full write-up of A March Story on Medium, and then participate via Twitter.
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Why is historical fiction maligned?
In The Morning News, Jessica Francis Kane asks where is the line drawn between literary fiction and historical fiction; why is historical fiction maligned; and what happens when you write a novel and one of the characters attends your reading?
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Crack for Media Addicts
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Bookends on Russian Literature
To accompany this infographic on Russian literature, The New York Times asked Francine Prose and Benjamin Moser what makes 19th century Russian writing so distinctive. Pair with our own Matt Seidel‘s take on rejected Bookends questions.
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Late American Novel Love
The brief excerpt of The Late American Novel that appeared in the New York Times Magazine this past weekend was also the first appearance of “A Tiny New Culture Section With No Name,” part of the Magazine’s redesign. At the Magazine’s “behind-the-scenes” blog, Editor Adam Sternbergh talks about the tiny new section and has some very nice things to say about The Late American Novel as well.
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