Now that Horse_ebooks as we knew it is dead (or alive, depending on your viewpoint), the Internet is convening to pay tribute to the Dadaist masterpiece. At Slate, Will Oremus opines that the feed was “pretty great” even when it was a spambot, while at The Globe and Mail, Navneen Alang argues that it’s “more wonderful today, not less.”
New this week: Loitering by Charles d’Ambrosio; The End of Days by Jenny Erpenbeck; Windows on the World, a collection of Paris Review essays illustrated by Matteo Pericoli (Karl Ove Knausgaard’s contribution is excerpted here); The Heart Has Its Reasons by María Dueñas; A Woman Without a Country by Eavan Boland; Love Poems by Bertolt Brecht; and Family Furnishings, a new selection of short stories by Nobel laureate Alice Munro. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
“I am nostalgic for letters. There’s a craft that’s been lost in expressing some kind of desire or passion or bodily experience for someone else.” From James Joyce to Frida Kahlo, The Guardian collects bits of great artists’ erotic missives to one another. And speaking of literary love letters, how about Nicholson Baker‘s Vox [ed. note: it makes a great Valentine’s Day gift]?
University Of Chicago Press has come out with a new edition of a somewhat forgotten classic in the campus novel genre. Randall Jarrell was a National Book Award-winning poet who wrote only one novel, Pictures from an Institution, about the fictional Benton College. The Kenyon Review published the opening of the novel in its Winter 1953 issue. It begins: “Half the campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and spoken for the other.”
Today is Herman Melville‘s birthday. This October, Tin House will be releasing Matt Kish‘s Moby-Dick In Pictures. Kish began illustrating Melville’s masterpiece in 2009 by “creating images based on text selected from every page of the 552-page Signet Classics paperback edition.” You can preview some of the work on the book’s designated Twitter account.
Sasha Dugdale believes that Ted Hughes’s greatest contribution to the world of poetry remains Modern Poetry in Translation, the magazine which got its start thanks to an off-hand suggestion by Hughes at a cocktail party in the mid-sixties. Here’s our review of Jonathan Bate’s recent take on the poet, Ted Hughes: The Unauthorized Life.