Lorrie Moore, who we profiled yesterday, has a new story collection on shelves this week. Also out: Kinder Than Solitude by Yiyun Li; What’s Important is Feeling by Adam Wilson; Wonderkid by Wesley Stace; and MFA vs. NYC, a new essay collection (spun off from an n+1 piece) edited by Chad Harbach.
One consequence of creating a beloved show is that you’ve got to deal with superficial paeans to it. David Simon has to know this, but he still seems cranky in this interview. Of course I’m not saying he can’t be chagrined by Grantland or Vulture’s recent TV brackets (which Simon singled out in subsequent remarks), but when he says he’s “it’s wearying” for people “to be picking [The Wire] apart now like it’s a deck of cards or like they were there the whole time or they understood it the whole time,” it’s a bit harder to take his side, and you feel like he hasn’t watched Erlend Lavik’s sophisticated and thorough video essay about The Wire‘s visual style. Surely analyses like this (or Žižek‘s, which we’ve mentioned before) deserve due credit.
“When Leonard Riggio bought Barnes & Noble in 1971, it consisted of a single struggling store in Manhattan. Over time, with swagger and an unwavering belief in the value of physical bookstores, he turned it into the country’s largest bookselling chain.” Riggio, founder and executive chairman of B&N, announced yesterday that he will be stepping down in September. Let our own Janet Potter take you through a history of her love for bookstores.
“Gobble a lot of fiction very quickly and you soon find yourself suffering from the literary equivalent of a food intolerance. Oh no, you think, not another novel about X or Y. At these moments, only one thing keeps you going: the faint hope that the book in question might turn out to be the greatest novel ever written about X or Y.” Rachel Cooke writes for The Guardian about reading 80 books in four months and the process of judging the Folio prize.