First came the reviews. Naturally, reviews of these reviews followed. Then, in furtherance of a pattern that was getting pretty weird at this point, somebody wrote a review of review reviews.
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
In April's Atlantic, Joseph O'Neill tries to separate Philip Roth from his perpetual themes of family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth's greatest critic: Roth himself.
Chances are that Hemingway is the only writer who comes to mind when you think of Spanish bullfighting. Well, clear some space in your mental sphere, because A.L. Kennedy wrote another entry in the bullfighting canon. On the Ploughshares blog, Miles Wray takes a look at Kennedy’s 2001 On Bullfighting.
"Like reading, love works in roughly the same way every time, but the details of any given case are irreducibly particular, and it's in the details that everything happens." Lidija Haas on Elif Batuman's debut novel, The Idiot. (You could also read our review by Virginia Marshall.)