When University of Iowa Special Collections librarian Colleen Theisen found hidden fore-edge paintings on a 19th century scientific book Autumn, she made a gif of it, of course. Then, she realized there were more secret paintings for each season and more gifs followed. Who said old books weren’t interactive?
‘The 4½-foot tall poststructuralist philosopher I live with demonstrates a radical mode of viewership daily. Because of her, and with her, I am able—by moments—to move out of my own natural larval state and experience movies not just as deliverers of entertainment, conveyors of meaning, or objects of aesthetic contemplation, but as pure fields of emotional and sensory intensity, almost like rooms to which one can return.” Dana Stevens on watching movies with, and like, a child.
The Syrian publishing industry is but one of the casualties in the nation’s ongoing civil war. “The whole of publishing is not more than 10 percent of what it was in the past,” says Samer al-Kadri who runs Bright Fingers Publishing House in Damascus.
For everyone who harbors a deep and mildly-embarrassed love for GIFs in the significant, non-linguistic part of their brains that finds repeated facial expressions far more memorable than words: Ploughshares’ series on classic novels (1984, The Catcher in the Rye, The Scarlet Letter, The Hobbit) will have you laughing and building your cocktail-party knowledge all at once.