“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Writin’ State o’ Mind
A Different Time
Last week, I wrote about the disparity between Norman Rockwell’s inner life and the cheerful art that made the painter famous. In the new issue of The Atlantic, James Parker writes about the “unconscious energy” of Rockwell’s work, while on the magazine’s website, Jennie Rothenberg Gritz republishes an old article that examines how Rockwell’s style could seem outdated even in the fifties.
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Robinson on Public Education
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The Cows
A German cow named Yvonne escaped her impending trip to a slaughterhouse and soon became a national icon. In the wake of public outcry, officials have called off the search for her. Elsewhere, Lydia Davis is probably regretting that this story broke after she published her bovine chapbook The Cows.
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The Atheist Had It Coming
Has something dreadful happened at the bus stop? Are you running late for the revival? These are a few of the many ways to tell whether or not you’re actually living inside of a short story by Flannery O’Connor.
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Dancing Feet
Fred didn’t always have Ginger: The Boston Review looks at the many dance partners of Fred Astaire, as catalogued by Hermes Pan: The Man Who Danced With Fred Astaire and The Astaires: Fred and Adele.
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In Case You Were Curious
Baratunde Thurston, stand-up comedian and director of digital for The Onion, stops by NPR’s Fresh Air to read from his new memoir and satirical self-help book How to Be Black.
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