“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Tin House magazine’s new Theft issue includes gems like this poem from Matthew Zapruder and this story by Kirsten Bakis among many others. John Brandon’s essay from The Millions on the literary consequence of petty theft is a perfect follow-up read for all of you kleptomaniacs out there.
“We might then see the bear, and judge it best to run, receive the insult and deem it right to strike, but we could not actually feel afraid or angry.” Let’s hope you never get approached by a bear while hiking in the woods with trailblazing psychologist William James, who had some complicated ideas about feelings.
“Did you know that alcohol originally meant eyeshadow, clouds were rocks or that a moment once lasted precisely 90 seconds?” From The Guardian, 10 words that no longer mean what they used to. And if you enjoy that trip down etymology lane, you’ll probably also dig this week’s piece about the curse words of Charles Dickens.
Over at The Paris Review, basketball columnist (and really great poet) Rowan Ricardo Phillips has written a compelling essay on Golden State Warriors guard Steph Curry, hot streaks, and the tenability of genius. Jacob Lambert’s essay on reading about (and not watching) sports is a nice complement.