David Foster Wallace has become an American legend in his own right, so it makes sense that he’ll be coming to the big screen soon. Jason Segel will play the famous writer in an adaptation of David Lipsky’s Although of Course You End Up Becoming Yourself with Jesse Eisenberg as Lispky. Can one movie handle this much neurosis?
Implicit in a lot of the discussions about how negative a book reviewer can be is a question of utility: is a book review an act of public service or a work of art in itself? In the Times, James Parker and Anna Holmes debate the purpose of the review. Sample quote: “I’d argue that a majority of the reading public doesn’t necessarily benefit from the sorts of reviews for which artistry is the point.” You could also read our own Matt Seidel’s hypothetical worst review ever.
Spider-Man is one of our favorite superheroes, but he’s a terrible journalist. At The Atlantic, Daniel D. Snyder discusses how Peter Parker and Clark Kent are unethical reporters. “The media is, in theory at least, supposed to be honest. Putting on a costume, coming up with a fake name, and lying to everyone about what you really do are the opposite of that.”
David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.