Continuing my trend of invoking Outkast’s musical stylings at least once per weekend, I now present to you Big Boi’s isolated vocals from “Bombs Over Baghdad.” (You can check out other isolated vocal tracks unrelated to Outkast over here, but I have to wonder why.)
Who Needs Music?
The Golden Age of Women Essayists
The essay is more popular than ever. At Salon, Michele Filgate talks to Leslie Jamison (author of The Empathy Exams, here’s our review) and Roxane Gay (author of the forthcoming Bad Feminist) about the power of the genre. Gay believes our interest in essays is because of a “cultural preoccupation with the exposure of the self.” They also discuss if we’re in a golden age of women essayists. “Sometimes when men write about private feeling, it’s seen as exploratory or daring, and when women write about private feeling it’s seen as limited or in the vein of a kind of circumscribed emotional writing,” Jamison says.
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The World’s Most Translated Books
This week in book-related infographics: a look at “50 of the World’s Most Translated Books.”
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The Future by Philip K. Dick
“Still, what he captured with genius was the ontological unease of a world in which the human and the abhuman, the real and the fake, blur together.” An essay in the Boston Review argues the importance of Philip K. Dick‘s literature— where the real and fake intersect and collide — and the world we live in today. From our archive: on the pleasures of Dick’s sometimes awful prose.
Tuesday New Release Day: Starring Joukhadar, Celan, and van Heemstra
Here’s a quick look at some notable books—new titles from Zeyn Joukhadar, Paul Celan, and Marjolijn van Heemstra—that are publishing this week.
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So I’m Reading with an Axe Murderer
Matt Seidel has a helpful guide for book clubs across the country: How To Tell If Someone In Your Book Club Is a Homicidal Maniac. One possible clue? He contributes to the Water for Elephants discussion by “telling anecdotes about torturing animals as a child.”
Hate to be that guy, but Big Boi doesn’t even come in for 1:15, and while his verse has some great moments (namely the way his cadence plays off the incredible beat–obviously absent here), Andre’s is way more impressive on this song…maybe his best, in terms of rhythmic play, unconventional rhyme, odd imagery and pure Three Stacks weirdness.