A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
Who Can You Trust Anymore?
Gastronomy
It’s not hard to find studies of the connection between creativity and alcohol. It’s a connection which great minds have remarked upon for centuries. But what’s less remarked upon is a more everyday relationship — the connection between great writing and food. In The New York Review of Books, Patricia Storace reads Sandra M. Gilbert’s The Culinary Imagination. (Related: Stephanie Bernhard tries out Hemingway’s recipes.)
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Struggle on Stage
Karl Ove Knausgaard’s six-volume My Struggle will be adapted to the stage — all 3,600 pages in under 150 minutes. Pair with Jonathan Callahan’s Millions review.
Sunshine Journalism
California seems to have it all: Hollywood, the sun, vineyards, and more. Yet it doesn’t have a weekly magazine. California Sunday will change that by launching a magazine delivered on digital platforms daily and in local print newspapers every Sunday. Bonus: They’re hiring.
Nothing Has to Be Blown Up
“One of the joys of literature is that we can always push back against established ways of speaking and seeing—and nothing has to be blown up.” Mark Z. Danielewski, whose latest novel, the first installment of a 27-book series called The Familiar, has just been released, writes for The Atlantic‘s “By Heart” series about “signiconic” writing, the orneriness of his work and the graphic novel Here. Pair with our 2012 interview with Danielewski.
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Rosenbaum on Nabokov’s Laura
Slate’s Ron Rosenbaum talks with Brooke Gladstone of NPRs On the Media about posthumous publishing, specifically Nabokov, but also Kafka and in general.
New Michael Lewis Book On the Way
Michael Lewis’s next book, which is due to hit shelves in March, will be concerned with “the financial world.” And that’s really all we know about it at this point.
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Remembering Jenny Diski
Frederick Tuten recalls the first fan letter he ever wrote to novelist Jenny Diski in his 1999 interview with the author for BOMB Magazine.
During the period in which Portugal was under Salazar’s dictatorship, which of course included censorship of books and press, portuguese author Dinis Machado wrote three noir crime novels under the pseudonym Dennis McShade (notice how he played with his own name), pretending to be an american author. The books claimed to have been translated by Dinis Machado himself, who was called by the censor agents regarding this american. He was able to convince them that the books were harmless, and they were published. The set is in America, but you can identify some metaphors regarding the dictatorship in Portugal.
This kind of pretending games can be fun. Though this story is not related to the one you are talking about, I thought it would show you how this pretending games can be subversive. And by the way, the three novels by Dennis McShade are incredibly good. He was, of course, a reader of Chandler and Hammett.
Well, I have to wonder if the fake quotes from the fake reader are any more authentic than the hyperbolic blurbs from ostensibly “real” readers….