A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
Looking for someone to whip your writing into shape? Then tweet the new Gordon Lish bot, a Twitter account which offers unvarnished critiques of your tweets and fictional sentences. (Related: Frank Kovarik on the editor’s relationship with Raymond Carver.)
Half a century ago, it would have been inconceivable to think that one day, the clack of typewriter keys would disappear from daily life. The rise of the personal computer, in Sadie Stein’s words, turned an everpresent sound into a “living anachronism.” She reflects on the value of the typewriter in a blog post for The Paris Review Daily. (It might also be a good time to read our own Bill Morris on typewriters and pen pals.)
With Halloween a week away, The New York Times asked Ayana Mathis and Francine Prose about the “most terrifying” books they’ve read. Their choices? Roll of Thunder, Hear My Cry and Hans Christian Andersen‘s fairy tales. Pair their combined essays with Flavorwire‘s list of “50 of the Scariest Short Stories” and our own Ben Dooley‘s brief review of House of Leaves‘s “existential terror”.