A Russian publisher has stooped to a new low: it added “fake quotes from fake newspapers on the cover of a … novel released this summer.” That’s not all, either. Apparently the publishers are trying to bill the book as a “Swedish” crime novel even though it was actually written by a Russian under a pseudonym.
Who Can You Trust Anymore?
Best Translated Book 2010
The Confessions of Noa Weber by Gail Hareven and translated from the Hebrew by Dalya Bilu has won the 2010 Best Translated Book Award. Previously: The shortlist.
Writing While Ill
"[C]ommunity building takes a lot of time and effort and can take a long time to pay off. It’s the long con that’s not a con." In Electric Literature's "Blunt Instrument" column, Elisa Gabbert takes on the topic of writing with chronic illness and disability. See also: our own advice columnists Swarm and Spark!
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Kesey Documentary
A new documentary on Ken Kesey and his band of Pranksters "presents the LSD-loving pioneers who spawned ’60s counterculture in their own words and images."
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Something Beautiful
"If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language." Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
Matt Kish on his Heart of Darkness Illustrations
In November, Matt Kish will write a series of guest posts for Tin House’s Open Bar Blog. He’ll be “exploring some of the ideas and processes behind five of [his] Heart of Darkness illustrations.” Over on his personal blog, however, he’s asking for readers to help him select which five pieces he should discuss. Kish, who has previously illustrated the pages of Moby Dick, was recently mentioned in our Great Second-Half 2013 Book Preview.
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Tuesday New Release Day: Rowling, Homes, Stein, Wilson, Moehringer, Tejpal, Silver, Young, Warner, Donoghue
Another bumper crop of books this week is led by J.K Rowling's post-Potter effort, The Casual Vacancy is on shelves, as are May We Be Forgiven by A.M. Homes, Canvas by Benjamin Stein, Panorama City by Antoine Wilson, Sutton by J.R. Moehringer, Tarun J. Tejpal's debut The Story of my Assassins. On the non-fiction side, Nate Silver's long-awaited The Signal and the Noise is here, as is Neil Young's memoir Waging Heavy Peace. New in paperback: John Warner's Funny Man (the edition includes an essay by Warner that ran on The Millions) and Emma Donoghue's blockbuster The Room.
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During the period in which Portugal was under Salazar’s dictatorship, which of course included censorship of books and press, portuguese author Dinis Machado wrote three noir crime novels under the pseudonym Dennis McShade (notice how he played with his own name), pretending to be an american author. The books claimed to have been translated by Dinis Machado himself, who was called by the censor agents regarding this american. He was able to convince them that the books were harmless, and they were published. The set is in America, but you can identify some metaphors regarding the dictatorship in Portugal.
This kind of pretending games can be fun. Though this story is not related to the one you are talking about, I thought it would show you how this pretending games can be subversive. And by the way, the three novels by Dennis McShade are incredibly good. He was, of course, a reader of Chandler and Hammett.
Well, I have to wonder if the fake quotes from the fake reader are any more authentic than the hyperbolic blurbs from ostensibly “real” readers….