Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. “The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse,” she writes.
It’s hard to resist reading others’ diary entries, especially when the diaries in question belong to famous writers. Now that a selection of Jack Kerouac‘s journals is being released from The New Yorker archives and made available online, resistance is more or less futile. Originally published in 1998, these journal entries span the years from 1948 to 1950, from just after the long drive that inspired On the Road to the publication of Kerouac’s first book, The Town and the City.
In the introduction to her interview with the author, the inimitable Parul Sehgal described Chimamanda Ngozi Adichie’s latest novel, Americanah, as “a thrilling and risky piece of writing that takes on taboos, shatters pieties, and combines forthright prose, subversive humor, and a ripping good story.” If that doesn’t sell you, I don’t know what will.
The Table 4 Writers foundation, set up in the memory of the restauranteur Elaine Kaufman, recently chose the winners of its first round of $2,000 grants for writers. The winners will be honored March 7 at the New York Athletics Club, where Gay Talese will also be recognized with a lifetime achievement award.