Do our brains determine how we write? Joyce Dyer explores the possibility that genre is influenced by how our brains are wired but wonders if that limits us. “The page may be forcing compromises that the brain, in such close relationship with the mind, must rightly refuse,” she writes.
Three Guys One Book takes an early look at The Late American Novel (co-edited by yours truly and featuring three Millions writers as well as a number of other literary luminaries) and sees it as a great introduction to a whole group of exciting writers. The book has been spotted on shelves in the wild, and we'll be updating news about the book here. (Readers can also follow the book's official Facebook page to keep up on events, reviews and other goodies.)
Some seriously deranged Amazon customer reviews. (via Doc Searls)A year ago "Our Lady of the Underpass" was a Chicago phenomenon. Eric Zorn revisits.Chimney sweeps and flower pots are the stuff of poetry for Sam.Dale Peck's recent judgment in the Tournament of Books is scarcely worth mentioning, but I did very much enjoy Kevin Guilfoile's commentary on the topic as well as his tale about meeting Ken Kesey.Kakutani's reign of terror turns 25.The Literary Saloon points us to Jonathan Franzen's new book. It's a memoir, and like Ed, I am disappointed by that.The Rake chats with Charles D'Ambrosio
Over at Full Stop, Sean Minogue argues that social media can have a positive influence on a writer’s creative development. He mentions Twitter extraordinaire Teju Cole, who thinks his involvement in online discussions "comes from the non-American part of me which is saying that novelists in every other country, with the exception of the American or the Anglo-American sphere, actually consider it part of their work to engage.” Pair with our piece on the best of literary Twitter.
As we noted here recently about the rise and fall of Motown, the real issue was money -- who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label's first hit in 1959, "Money (That's What I Want)," tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong's story is the story of Motown boiled down to its bitter, ironic essence.
A group of researchers from the University of Cambridge is using Twitter to help research the rapidly disappearing Welsh language “[because] tweets don’t follow the conventions of written language” and instead “provide an authentic snapshot of spoken language.” (Bonus: Twitter’s stunning visualizations of “tweet geography.”)
"In addition to fearing, as a young person, that I lacked sophistication, I also feared that I lacked courage. It was hard for me to say something even mildly tough about someone else or their work; hard for me, generally, to be critical. Mary McCarthy had no such trouble." Meg Wolitzer, author of The Interestings, writes about her literary idol for the LA Times.