The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
Isotropic Films has begun filming a “fresh, modern horror [film] version” of Franz Kafka’s The Metamorphosis. At The New York Review of Books, Mark Harman offers a new translation of the late author’s “A Message From the Emperor,” which Harman calls “hauntingly oblique.” Further away still, Elif Batuman recognizes some Kafkaesque street signage in Turkey.
Even though James McBride (new National Book Award winner for The Good Lord Bird) is an accomplished jazz musician, he doesn’t listen to any music while writing. “Because I’m a musician, listening to music is…it’s a bit like work for me,” he told The Daily Beast for the “How I Write” series.
Matt Seidel has a helpful guide for book clubs across the country: How To Tell If Someone In Your Book Club Is a Homicidal Maniac. One possible clue? He contributes to the Water for Elephants discussion by “telling anecdotes about torturing animals as a child.”