The Present Group provides an interactive look at “how artists, cultural producers, and content providers have experimented with funding and support models during the Internet Age.” The scrolling timeline spans from 1998 through 2016, and it outlines the major innovations (and failures) as websites tried monetizing.
Web 3.0: How Do We Pay for This?
True Tragedy
“The way this propaganda works is you take something insane and wrap it in a little bit of truth, and then all those people swallow it because it’s wrapped in a little bit of truth.” Columbia Journalism Review talks to the victims of fake news, from Sandy Hook parents to election overseers. Also worth thinking about in this context, the American usage of modern English.
The Winning Team
Graywolf Press – the publisher behind Citizen, The Empathy Exams, The Argonauts, and On Immunity: An Inoculation – has built a reputation as “a scrappy little press that harnessed and to some extent generated a revolution in nonfiction, turning the previously unprepossessing genre of the ‘lyric essay’ into a major cultural force.” Over at Vulture, Boris Kachka writes about the history of one of the nation’s leading independent literary publishers.
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Where Emily Writes
Our own Emily St. John Mandel makes an appearance in Brooklyn Magazine’s feature on “Nine Brooklyn Writers and How They Work.” Come for the interview, but stay for the photograph of Emily actually using her stand-up desk (which she’s shown us before).
Previewing Batuman
The Possessed: Adventures with Russian Books and the People Who Read Them, the forthcoming debut effort by sometime Millions contributor Elif Batuman, gets an intriguing write-up in Publishers Weekly.
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Mississippi, 1952
Recommended Viewing: This 1952 documentary about William Faulkner and his hometown.
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Tuesday New Release Day: Dyer, Aira, Wilson, Iyer
Zona, Geoff Dyer’s book about Tarkovsky’s film Stalker, is out today. Also hitting shelves are César Aira’s Varamo, Adam Wilson’s Flatscreen, and Lars Iyer’s Dogma. We were looking forward to all four of these books to start the year.
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Asian American Writers, Generation Next
The Guardian‘s Max Liu highlights several rising star Asian American authors, including Year in Reading 2017 participant Jenny Zhang. “After years on the peripheries of US fiction and poetry, Asian American authors have stepped into the spotlight during 2017. Books by writers of east and south-east Asian heritage are one of the hottest trends this year. […] Transcultural writers, born to immigrant parents in the US or immigrants themselves as children, they are channelling their experiences into writing that, with perfect historical timing, challenges readers to resist attacks on immigrants’ rights and to see refugees as individuals with unique stories.”