Now that classic sci-fi mag Omni has risen from the Hades of publishing, editors are combing its massive archives in search of material to republish. Among that material, it turns out, are drawings of Dune homeworld Arrakis — drawings that happen to be endorsed by none other than Frank Herbert himself.
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions’ own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
The Poetry Archive: “The Poetry Archive is the world’s premier online collection of recordings of poets reading their work. You can enjoy listening here, free of charge, to the voices of contemporary English-language poets and of poets from the past.”A few days ago the New York Times released its usual 100 book “Notable” list, but now we get the really good stuff: the Times top ten of the year. The big surprise: an appearance by Curtis Sittenfeld’s “calm and memorably incisive first novel,” Prep.Scott and Ed and others have already noted this, but I just got around to reading it: the NYRB piece on our latest National Book Award winner, William T. Vollmann.Also noted by many litblogs, the ever-multitasking Bud has launched a sleek litblog network/aggregator/community: MetaxuCafe. Very cool.
Some of the best novels out there — Huckleberry Finn, Of Mice and Men — deal largely with fictional friendships. Yet depictions of close friends that are central to the plot are considerably rare in modern novels. At The Guardian, AD Miller notes this isn’t the case for movies and TV shows, and suggests a number of reasons why. You could also read our own Kevin Hartnett on friendship in the age of Facebook.
Alexandra Alter interviews National Book Award winner Ta-Nehisi Coates about the success of Between the World and Me. As he puts it, “The best part of writing is really to educate yourself. I don’t want to be anybody’s expert. I came in to learn.” Pair with our own Sonya Chung’s Millions piece on Coates’s epistolary essay.
ICYMI: After Hachette writers banded together behind their publisher (piles of tweets, an author petition (pdf), a perplexing Malcolm Gladwell YouTube clip, and of course our own Edan Lepucki in Stephen Colbert’s pre-order campaign), Amazon proposed giving authors “100% of proceeds” from ebooks — that’s including Hachette’s share — while they hashed things out. You gotta admire that gumption. Halfway around the world, a French court order just banned free delivery for discounted book orders–so Amazon now charges one cent. Also: they’ve got drones. The Times concludes that if you can’t beat ’em, join ’em.
“Will anyone in America give a damn about Beig? It’s hard to imagine our glittering zeitgest machine ever getting behind her, with her landscape, her women, her knowledge of the secret lives of animals born for the hatchet. Her writing, so invested in the disappearing rural world, is particular, yes, but universal: her characters love and long and pine away.” Matthew Neill Null is unsatisfied with how American readers have treated the work of the great German novelist Maria Beig. He makes a passionate case in her favor in this new essay over at The Paris Review.