Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.
Monologuist Mike Daisey was once devoted to Apple products. Then, one day, he “started to think, and that’s always a problem for any religion.” He began to question how his favorite products were put together, so he traveled to China with hopes of finding out. What he saw was shocking. If you own an Apple device (which I’m betting you do), you need to listen to this episode of This American Life.
Muna Mire has written an incisive and timely essay for The New Inquiry on the Black Feminist classic Black Macho and the Myth of the Superwoman by Michele Wallace. Coinciding with last month’s reissue of Black Macho by Verso Books, Mire’s essay discusses justified anger rightly-directed and the potential utility of Wallace’s “Black Movement” in the context of today’s racially-charged political climate.
On February 17th, the University of Iowa’s International Writing Program will launch a free digital course open to everybody with an internet connection. The course is entitled “Every Atom: Walt Whitman’s Song of Myself,” and registration is now open. The course will “take a collective approach to a close reading of America’s democratic verse epic.”
Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.