You might have heard that “twerk” (among other words) has been added to the Oxford Dictionaries Online. But you probably didn’t hear Morgan Freeman reading the definition aloud.
Twerking with Morgan Freeman
Till Death or Cliches Do Us Part
At the Poetry Foundation’s website, Ruth Graham tackles a strangely ubiquitous question: how does a couple go about choosing a wedding poem? (For context, it helps to keep the following quote in mind: “the aesthetics of [a personal] wedding, at least for couples of a certain age and posture, are practically set in stone: indie pop music, mason jars, white Christmas lights, wildflowers.”)
Women’s Artistic Genius
Over at Public Books, Katie Fitzpatrick writes that Dana Spiotta’s Innocents and Others is a novel on women’s artistic genius. Pair with Jason Arthur’s review of the novel.
A TumBelivr event in San Fran!
Tumblr and the Believer are throwing a party at San Fransisco’s Make-Out Room! Sheila Heti will be there, and so will Issac Fitzgerald, and Melissa Graeber. If you’d like to cover this event for #LitBeat, well, just get in touch!
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A Literary Wake
In Austin, the Harry Ransom Center and American Short Fiction are hosting a tribute event for J.D. Salinger that will include readings by Elizabeth Crane, Nick Flynn, Amelia Gray, Elizabeth McCracken, ZZ Packer, and John Pipkin.
“How do I know it’s real?”
Twenty-five years ago this month, Mary Gaitskill published Bad Behavior, a story collection so accomplished that even Michiko Kakutani thought the book had “radar-perfect detail.” Now, to commemorate the anniversary, The Slant interviews Gaitskill, who discusses her debut and the effect of porn on our culture. (In case you didn’t know, a story in Bad Behavior inspired the movie Secretary.)
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Now Those Are Some Good Ribs
The By the Book series at the Times has produced some pretty great entries, but we have a feeling that Colson Whitehead may go down as its best interviewee. Why do we say this? Well, it might have something to do with his weeping fit in a Chelsea Dallas BBQ, prompted by an early scene in Cormac McCarthy’s The Road.
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