Writing for Lapham’s Quarterly, Caroline Alexander takes a deep dive into Homer’s “wine-dark sea” to uncover the origins and meaning behind the poet’s “incomprehensible” phrase.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. "Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank." Pair with: Larsen's essay on the power of the infographic.
Who or whom? Which or that? Jon Gingerich has helpfully assembled a list of "20 Common Grammar Mistakes That (Almost) Everyone Makes."
If you live in London, and you like the idea of a play in which “two women [try] to put on a one-woman play about Frida Kahlo in whom neither of them is really interested,” you should stop by the Bridge House Theatre, which is playing Chris Larner’s The Frida Kahlo of Penge West until November 23rd. At the LRB blog, Rosemary Hill provides a brief review.
Recommended Reading: On Patricia Highsmith, Carol, and being the queer daughter of a queer mother: "I am doomed to die an ugly death or at least to be separated from my partner, probably violently. So is my queer mother and my partner and my cousin and many of my friends. We are all doomed, it seems, because this is the only story American media tells about queer women."
This is a fantastic piece on W. H. Auden, "The Murder of Lidice", and the importance of the ideological and political contexts of war. Joanna Bourke writes, "the flood of poems [after the Lidice massacre] actually served to draw attention away from the people of Lidice and towards the swollen sensibilities of the poets and their readers."