Writing for Lapham’s Quarterly, Caroline Alexander takes a deep dive into Homer’s “wine-dark sea” to uncover the origins and meaning behind the poet’s “incomprehensible” phrase.
Congratulations to our own Garth Risk Hallberg, who was a finalist for the Nona A. Balakian Citation for Excellence in Reviewing, awarded by the NBCC. Critic William Deresiewicz took home the prize. We wrote up the finalists in the fiction and non-fiction categories yesterday.
In a piece for The Atlantic, Micah Mattix responds to the 50th Anniversary Edition of Lunch Poems with a reflection on the social media-esque quality of Frank O’Hara‘s poetry. “O’Hara’s Lunch Poems—like Facebook posts or tweets—shares, saves, and re-creates the poet’s experience of the world. He addresses others in order to combat a sense of loneliness, sharing his gossipy, sometimes snarky take of modern life, his unfiltered enthusiasm, and his boredom in a direct, conversational tone. In short, Lunch Poems, while 50 years old, is a very 21st-century book.”
“A perfect example of what the short story can do when the form is at its best: containing as much of an emotional blow as that of a 800-page novel, regardless of its brevity.” The Guardian awards its 4th Estate BAME short story prize to “Auld Lang Syne” by Lisa Smith. The prize was launched in 2015 in response to a report “which found that black, Asian and minority ethnic (BAME) writers struggled both to get published and against stereotypes imposed by the UK’s overwhelmingly white publishing industry.”
Out this week: Between the World and Me by Ta-Nehisi Coates; Go Set a Watchman by Harper Lee; Armada by Ernest Cline; Among the Wild Mulattos and Other Tales by Tom Williams; Confession of the Lioness by Mia Couto; The Watchmaker of Filigree Street by Natasha Pulley; Let Me Explain You by Annie Liontas; All This Life by Joshua Mohr; A Master Plan for Rescue by Janis Cooke Newman; Imperium by Christian Kracht; and The New World by Andrew Motion. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
“The Laughing Monsters is, ultimately, about reality, myth, and outright lies. Johnson has always been interested in those moments when the thin skin of the world breaks and we are ushered, unprepared, into another realm.” Stav Sherez reviews Denis Johnson‘s The Laughing Monsters (which we listed in our Second-Half 2014 book preview) and considers the modern spy thriller for the Los Angeles Review of Books.