The Paris Review’s interview with Hungarian author (and recent retiree) Imre Kertész is up on their website now, and to celebrate the occasion the magazine is offering a $10 discount on subscriptions. The promo code is good all week long.
Emily Harnett writes about Elena Ferrante’s bad book covers and how it embraces “women’s fiction” as a genre. As she puts it, “In a literary marketplace where the very image of a woman is seen as antithetical to literature, Ferrante’s covers take an important stand.” Pair with Cora Currier’s essay on reading Italy through Ferrante’s books.
Learn more about Hans Christian Andersen Award winner Cao Wenxuan. “China has given us so many heartbreaking stories. How can you avoid writing about them? I can’t sacrifice my life experience in order to make children happy.” Pair with Edan Lepucki’s piece on the grown-up counterparts to children’s stories.
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
“I think writing about the real world, as we live in it today, is very difficult; many writers try to escape it. But then what books will be the classics from our generation? Which of them will be the commentaries on our lot?” William Ruof argues that studying nonfiction may make the best fiction writers in a piece for The State Press.