The Paris Review’s interview with Hungarian author (and recent retiree) Imre Kertész is up on their website now, and to celebrate the occasion the magazine is offering a $10 discount on subscriptions. The promo code is good all week long.
The literary it-boys Katie Roiphe described last week in her provocative New York Times essay may say a polite “no, thank you” to sex, but not Legends of the Fall author Jim Harrison. No, sir. His lusty men of all shapes and sizes (octogenarians, clubfooted teens) take second helpings with gusto in his new collection The Farmer’s Daughter.
Recently, it seemed hard to find a book not blurbed by Gary Shteyngart. He did blurb 150 books in the past decade. Yet now the author has decided to mostly retire from blurbing, he announced in The New Yorker. “Literature can and will go on without my mass blurbing. Perhaps it may even improve.” Pair with: Our own Bill Morris’s essay on whether or not to blurb.
“With thirteen other diners, the two professors of English first prepared and then made their way through eight courses, including beef broth, haddock, steak, mutton, chicken, and chocolate profiteroles….The dinner was a recreation of one eaten 132 years earlier, in one of England’s grandest country houses. Among the guests at this first dinner was George Scharf, founding director of the National Portrait Gallery in London, a man not especially famous in his own day and virtually unknown in ours.” Love Among the Archives brings us into the world of George Scharf, a bachelor affectionately deemed “The Most Boring Man in the World.”
“Whenever I tried to invent a character or a situation, I felt a stab of guilt. I could hear my teacher’s quavering voice saying, Write what you know! Why had she insisted on this so vociferously?” Writing class mantras are easy to impart but they are also easily misinterpreted. A.X. Ahmad, author of The Last Taxi Ride and The Caretaker, learns this truth the hard way as he tries to become a writer following a personal upheaval. Pair with Ahmad’s Millions essay on “The Thriller, Reinvented.”