We’ve traced how Stoner became a bestseller in Europe, but I took a closer look at where the book started, The University of Missouri, for Vox Magazine. As it turns out, John Williams found inspiration in some real faculty rivalries.
In Case You Missed It: This email exchange between playwright Sarah Ruhl and the late Max Ritvo, whose Four Reincarnations is out next week: “I think my mind is a set of lapis lazuli steps falling apart, and all I want is to be told ‘it’s alright, we rebuild it every day’ But what is the it? What is it? And if I was vaporized by a ray gun but was then replaced instantly by an identical person with an identical filigree of nerves shot through with identical sparks cased in an identical skull—would it still be me? I don’t think so. I don’t know if even a perfect Reincarnation would be a Reincarnation to me, in my heart. I’m starting to feel like Theseus and I just want my fucking ship out of the dry-dock and back on the water.”
Barrelhouse recently revamped their website, but that’s not even the most exciting news out of the D.C.-based literary outfit this week. No, sir. The most exciting news is that the magazine’s newest online issue is “focused on the theme of 1980s professional wrestling.” The list of contributors includes Aaron Burch, Matthew Duffus, and Jeannine Mjoseth.
In August of 1911, Franz Kafka and his future literary executor Max Brod paid a visit to the Louvre to see the Mona Lisa. It was, all told, a weird time to make such a trip, because a week before the two arrived in Paris, crafty thieves abducted the famous painting. So why did they go if there wasn’t a painting to see? To look at the absence, of course. (h/t Arts and Letters Daily)