“The Crested Asterisk camouflages itself in poor syntax, relying on this tactic to confuse its predators and prey. It is the only specimen known to cause injury by way of over-emphasis.” Introducing a field guide to rare punctuation.
Catch it while you can: Charlie Rose‘s hour-long interview with Pedro Almodóvar and his muse, Penélope Cruz, touches on character, confidence, and control, and is currently available online. Almodóvar’s latest film, Broken Embraces, which I saw last summer in Madrid sans subtitles, was so visually stunning and well-acted that despite my meager translation the film enthralled. With a proper translation, it should be ravishing.
“Who was Bret Easton Ellis describing when he tweeted: ‘The best example of a contemporary male writer lusting for a kind of awful greatness that he simply wasn’t able to achieve’?” The Guardian has a delicious quiz of literary putdowns. And speaking of fighting, let’s talk about books about violence.
“Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can’t do that because you sort of know what’s going to happen. Because you’re the character.” – Gary Shteyngart
Recommended Reading: Laura Gianino at The Rumpus on seeing The Boss, Bruce Springsteen: “It felt silly to me, as a Springsteen fan of approximately four hours, to tell Keith that I felt Bruce understood me, too, but I realized somewhere in the middle of the show that Bruce was the same age when writing those songs as Keith and I were as we listened. Maybe I was just caught up in the moment. But if that were true, so was everyone.”