RIP Elmore Leonard, who passed away this morning at his home in Michigan at the age of 87. Our own Bill Morris got to the heart of what made Leonard a special writer in his 2010 piece about the prolific crime novelist.
Time for an update on the Bob Dylan-Nobel Prize beat: While Dylan still won’t attend the award ceremony in Stockholm this weekend, he has submitted a speech to be read on his behalf, reports The New York Times. Patti Smith will also be on hand to perform one of Dylan’s songs. We bet Brian Burlage would say that suits him perfectly.
It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.
“I thought quite a lot about the vocabulary of tourism, the kinds of desires that vocabulary seems designed to ignite, and the promises made, and how those promises change or vanish altogether depending on who you are.” The Paris Review interviews Laura van den Berg about writing, tourism, and her new novel, The Third Hotel. From our archives: our 2015 interview with van den Berg.
“Just as the written word changed the spoken word and the printed word changed the written word, so too will the digital word change the printed word, supplementing but not replacing the earlier forms of information technology.”
If for some unspeakable reason you didn’t follow my advice when I urged you to subscribe to the VQR over a year ago, then perhaps you need more convincing. Enter: Ron Charles. He’s got a brief preview of the magazine’s Winter Issue, which hit shelves this week, and which contains an essay based on Natasha Trethewey’s Library of Congress speech.
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”