Shall I compare thee to a wormhole? No, this essay on astrophysics and poetry coupled with a poem for Stephen Hawking is most definitely more lovely. Kalpana Narayanan wrote an essay for The Millions on physics, grief, and Paul Murray’s Skippy Dies that may pique your interest.
Whether you admire the work of e.e. cummings or think of him mainly as the inspiration for your high school’s worst poet, you’ll enjoy this excerpt of Susan Cheever’s new biography, which touches on the poet’s later years and his relationship with Cheever’s father. The two (contrasting) money quotes here are Malcolm Cowley’s claim that cummings was “the most brilliant monologuist I have known” and this exasperated question posed by Helen Vendler: “What is wrong with a man who writes this?
“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
“Embracing the transients and flâneurs, this is, in effect, a museum of Russian literature. And, being Russian, it becomes a museum of censorship and repression as well as art: of genius and bravery, blood and lies.” Snowdrops author A.D. Miller visits Ukraine’s Odessa State Literary Museum.