The folks at Harper’s Bazaar (not Harper’s Magazine) are launching a new short story competition, and the grand prize is wild: an all-expenses-paid weeklong stay on a private Scottish island, publication in the May 2014 issue of the magazine and a first-edition book from the Asprey’s Fine and Rare Books Department, worth up to £3,000. (And yes, that’s pounds, not dollars.)
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
“To survive, we learned to be great actresses. We cocked our heads just so, we laughed with just the right lilt, we batted our eyelashes and pursed our lips. Sometimes we were innocent, weak and in need of protection; other times we teased and tortured, until our customers raged for release.” Beautiful new fiction by Karissa Chen for Catapult.
Paravion Press, a small press born in a small Greek island’s bookshop, print postcard-sized editions of short stories that are designed to be sent by mail, complete with a page for your correspondence and an envelope. To celebrate their Valentine’s publication of Katherine Mansfield’s “Feuille d’Album,” they’re holding a Romantic Haiku Challenge, whose winner will receive a free copy.
“The label ‘Immigrant Fiction’ derives from the same problematic Pantheon in which ‘Women’s Literature,’ ‘Black Literature,’ and more, exist. Unlike the genre of, say, science fiction, which describes the content and style of the writing, categories like ‘immigrant’ or ‘Black’ fiction seem to be concerned more with the author’s identity and/or perceived audience.” On literary categories and immigrant fiction, over at Guernica.