From now until August 16th, the editors of the Los Angeles Times’s Opinion section will accept poetry submissions. Their favorites will be published in the August 25th edition of the paper.
Opinions… In Verse
The Best Lincoln
The Morning Edition crew sifts through nearly 15,000 biographies of Abraham Lincoln in order to determine the best of the best. Janet Potter, you have your work cut out for you.
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What’s Next? The KGB Bar Run By the Real KGB?
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
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What’s In A Name?
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Arthur Phillips, Still Writing
This thoroughly entertaining conversation between Robert Birnbaum and Arthur Phillips is not to be missed. Topics include faking Shakespeare, beagles, being anti-social in Brooklyn, pilates, and writing for a living.
So do we drop the ‘Y’ in YBA now?
Gearing up for his forthcoming retrospective at the Tate Modern, Damien Hirst told the Guardian that he “still believe[s] art is more powerful than money.” This from the man whose tiger shark and formaldehyde sculpture “The Physical Impossibility of Death in the Mind of Someone Living” sold for $12 million– the figure that Don Thompson reports in The $12 Million Stuffed Shark.
Slow Down, September!
There was a lot going on this September. Luckily, the good folks over at The Literary Hub have provided us with this helpful list of five of the best new books September had to offer. A personal favorite includes Emily Donoghue’s The Wonder, in which the protagonist appears to be subsisting on nothing but water.
The Audible Antipodal
Asymptote, a new international journal of literary translation, is up for free online and comes packed with ear candy. Though all the content is translated into English, an audio recording of the authors reading their work in the original language accompanies many of the pieces.
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