“Ever since, I have added a new layer of rules for my casual sex partners, especially when I end up in their space: I ask them for a book prior to exiting. I might phrase it more diplomatically, saying ‘I just want to read something on my train-ride back,’ or ‘I just finished my last book and I have been looking for the next one.’ Via this simple action I can estimate a lot more on a broad scale of very personal information and variation of taste than what I could possibly collect through hours of post-coital, emotional interrogation.” Seven books Elias Tezapsidis acquired through casual sex.
On the eve of the Frankfurt Book Fair, German Chancellor Angela Merkel took the opportunity to express her concern that Google Books threatens the rights of authors and potentially violates copyright laws, BusinessWeek reports.
Chad Harbach‘s The Art of Fielding is ubiquitous. We tapped it in our Second Half of 2011 Preview. n+1 bundled it with year-long subscriptions. The Awl interviewed the author. The New Yorker‘s Book Club picked it as their September book. It was reviewed in The New York Times. Now Keith Gessen‘s expanded his Vanity Fair piece on the novel’s development into a standalone e-book. In light of all this hype, McNally Jackson’s Tumblr provides a poignant list of baseball puns for reviewers to start avoiding.
“The main problem with Homeland is not even the writers taking Adderall or whatever they did in the second season that eliminated suspense and brought instead an unhinged intensity of movement that barely allowed space and time enough for the cast members to occupy their roles. The main problem with the show is a kind of elephant in the room.” Lorrie Moore explains her gripe about the celebrated series.
Joseph L. Badaracco has been assigning works of literature to his business ethics students at Harvard in order to “help [them] develop literature skills.” The Questions of Character author believes, “literature lets you see leaders and others from the inside. You share the sense of what they’re thinking and feeling.”
“Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?” Kazuo Ishiguro on film, and other novelists’ second-favorite art forms.