Those of you who know the joy of reading romance novels with your friends have probably wondered at some point what people who write erotica are like. Are they bankers and professionals? Housewives and mistresses? Are they some combination of all of the above? At Slate, a chaste look at the lives of unchaste writers.
“This seems to me the much more complex human truth … that for every theorist of the physical, as with every brainless brawler out in front of a tavern, there is a spot in him in which he aspires to the spirit. Always the flickering of the spiritual in which we reach for better. This is the ambition that changes those who aspire to it.” Here is the latest installment in The Literary Hub’s brave, groundbreaking series “Rick Moody: Life Coach.” This week finds Moody urging his reader along a path of nonviolence. Last time he took on crying.
Guernica interviews Meghan Daum about The Little House on the Prairie, finding a home in Los Angeles and the necessity of restructuring the conversation about children. Pair with our own Hannah Gersen‘s review of her essay collection The Unspeakable and Edan Lepucki‘s take on Selfish, Shallow and Self-Absorbed: Sixteen Writers on the Decision Not to Have Kids.
Penny Perkins interviews Sons and Daughters of Ease and Plenty author Ramona Ausubel at The Rumpus. “I realized that this book I was writing about money had to be about race and it had to be about class and it had to be about privilege, and which of those things we are able to see and which we are blind to.” Pair with Ausubel’s writing at The Millions.
“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.