Are people losing interest in fiction that “offers more questions than answers?” In her book Thirteen Ways of Looking at the Novel, Jane Smiley suggested that modern readers have little taste for uncertainty. At The Rumpus, Rob Roberge asks how much this contributes to popular disinterest in literature.
Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”
Can’t wait for this year’s Morning News Tournament of Books? The staff announced their shortlist and panel of judges this morning. The shortlist includes, among other books, Redeployment by Phil Klay, which took home this year’s National Book Award, as well as our own Emily St. John Mandel’s Station Eleven.
There was an interesting piece on the intangible economics of fine art in this weekend’s NYT Magazine that explains the difference between the markets for art and other luxury goods (like gold and property): “Because the art market isn’t regulated like financial securities, insider dealing is generally not illegal.”
Adonis, the great Syrian poet, has reproduced and adapted one of the ancient Muallaqat (The Suspended Odes) originally written by Zuhayr. The reproduction is hand-written on a scroll of paper, and then painted on, thereby “creating a new and contemporary interpretation of the text.”