That new Haruki Murakami book that’s been selling one million copies per week in Japan? Yeah, the one you’re excited to read? It’s coming out in Spanish in October of this year, so hopefully that means an English translation is in the pipeline as well.
Debut short story writer Matthew Vollmer gets some love.For those left baffled by descriptions of “the Purdie shuffle” in last week’s New Yorker and New York Times, the mighty Bernard “Pretty” Purdie offers a demonstration.At the International Edible Book Festival, you can chase down your Remembrance of Things Pasta with some Rosencrantz and Guildenstern are Bread (via The Book Bench)Despite (or because of?) its compassionate ecumenicalism, Sana Krasikov’s One More Year wins the Jewish Book Council’s Sami Rohr Prize.A 1979 cover letter from then-unknown Kazuo Ishiguro, re: the story “Getting Poisoned.” Bonus features: Hemingwavian brevity, grease stains.The New York Times Magazine’s editor ponders the fate of long-form journalism……while Vanity Fair questions the Times’ relentless interactivity.Stephen King, once thought to be considering retirement, has been as prolific as ever, now announcing the November publication of a 1,120-page novel, Under the Dome, about a town that has been sealed off by an invisible force field.The Complete Review turns 10!30 Poets/30 Days: a celebration of children’s poetry”Notes and Errata” on D. T. Max’s profile of David Foster Wallace “The Unfinished.” (via kottke)Kassia Krozser says “Enough With The Smell of Books, Okay?” about the olfactory argument in the ebooks debate.William Zinsser on writing On Writing Well and keeping it up-to-date for 35 years.Google poses a literary stumper.
Out this week: The Devil in Montmartre by Gary Inbinder; The Emperor of Ice Cream by Dan Gunn; Deeds of Darkness by Edward Marston; and The Cat and the Moon and Other Cat Poems, chosen by the British Library. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
There are plenty of reading apps out there, but a company called Rooster has released another, this one designed to “allow users to consume bite-sized pieces of highly curated fiction” whenever they have a few spare moments. In an interview with BookBusiness, Yael Goldstein Love, the editorial director of the project, described Rooster as aiming “to bring immersive reading, particularly fiction reading, back into busy peoples’ lives.” It’s difficult to know how to feel about this. Of course we think busy people should read good fiction, but is this just a precursor to the inevitable change of literature in the face of growing technology and shortened attention spans?