New Murakami in 2014

Caitlin Flanagan’s long Atlantic piece on Joan Didion has sparked a lot of conversation. Among the article’s contentious lines: “to really love Joan Didion … you have to be female.”

December 15th. New York City. Mark your calendars. John Jeremiah Sullivan and Wells Tower discuss “the art of the essay in light of Sullivan’s new book, Pulphead.”

The success of international authors like Orhan Pamuk, Ma Jian, Haruki Murakami, and Tash Aw – each capable of “transcend[ing] their homelands and emerg[ing] into a planetary system where there work can acquire a universal relevance” – has caught the attention of n+1’s editors. In a lengthy piece from their last issue, they suggest that we should be less concerned with such examples of “World” or “Global Literature,” and instead focused on more diverse, politically-charged and unique international works. “Global Lit tends to accept as given the tastes of an international middlebrow audience; internationalism, by contrast, seeks to create the taste by which it is to be enjoyed,” they argue.

“Jealousy baffles me. It’s so mysterious and it’s so pervasive. … And yet I’ve never read a study that can parse to me its loneliness, or its longevity, or its grim thrill. For that, we have to go to fiction because the novel is the lab that has studied jealousy in every possible configuration. In fact, I don’t know that it’s an exaggeration to say that if we didn’t have jealousy, we wouldn’t even have literature.” New York Times Book Review editor Parul Sehgal takes listeners to church in her TED Talk, “Ode to Envy.”