It’s official, kids: Dave Eggers will publish a new novel this fall. Named The Circle, the book tells the story of Maeve Holland, a woman who takes a job at a Google-esque company in California. Despite the seemingly idyllic nature of the fictional company’s campus, Knopf assures us that the book is “a novel of suspense.”
“It’s interesting to me now how many lawyers I’ve published. There’s something about the retelling, the assembling of a logical arc, about planting the clues and so forth that is believable and compelling. There’s a similarity in the way your mind needs to work, too. The logical progression of the narrative, the planting clues, the revelations and also just imbuing it with the emotional truth of the moment. That’s what a fiction writer has to do.” An interview with editor and literary gatekeeper Lee Boudreaux.
“Every year, as Halloween draws near, I get to thinking about what makes books scary,” writes Ben Dooley in his introduction to Mark Z. Danielewski’s House of Leaves. It’s a book that “’gets’ existential horror,” Dooley claims. Intrigued? Well be sure to check out not only his review of the book, but also our interview with its author.
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
Over at The Atlantic, Lydia Millet argues for the power and legitimacy of The Lorax’s moral message. Millet believes that the heavy-handedness of activist-minded fiction like The Lorax is powerful partly due to “its shamelessness. It pulls no punches; it wears its teacher heart on its sleeve.”