The possibility of a new André 3000 solo album (even if it’s “no sure thing”) is liable to make this writer giddy. Fun Fact: In a print-only interview with Oxford American, National Book Award-winning author Jesmyn Ward nominated Three Stacks as “the most underrated Southern writer.” (And she’s a fan of his collaborations with Frank Ocean, too.) You shouldn’t have needed an endorsement, but if you did, then that should be good enough for you.
“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.
Both Flesh and Not, a posthumous collection of David Foster Wallace essays, is now out in paperback. Also out: Report from the Interior by Paul Auster; a new paperback edition of Stephanie LaCava’s An Extraordinary Theory of Objects; and a new collection of essays by C.S. Lewis. For more on these and other great titles, check out our Great Second-Half 2013 Book Preview.
What would the child of The Big Lebowski characters The Dude (Jeff Bridges) and Walter Sobchak (John Goodman) look like? Maybe like Lt. Col. Django (Bridges, again), one of the characters in Grant Heslov‘s The Men Who Stare at Goats, set to release in November, a comedy about the U.S. military’s attempt to train psychic soldiers (based on the book by Jon Ronson).
“The most interesting writers we know, all asking and answering the same question: why can’t we stop watching cat videos?” Coffee House Press one-ups all boring Kickstarter campaigns with Catstarter, a campaign to fund a book on cat videos and “how we decide what is good or bad art, or art at all.”
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.