The possibility of a new André 3000 solo album (even if it’s “no sure thing”) is liable to make this writer giddy. Fun Fact: In a print-only interview with Oxford American, National Book Award-winning author Jesmyn Ward nominated Three Stacks as “the most underrated Southern writer.” (And she’s a fan of his collaborations with Frank Ocean, too.) You shouldn’t have needed an endorsement, but if you did, then that should be good enough for you.
In anticipation of their 30 Below Story Contest, Narrative Magazine is highlighting work published on their site by writers under 30. Today my story, “I am the Lion Now,” has been added to the list.
We’ve already decided that it’s okay for fictional characters to be unlikable, but what about nonfiction writers? At the VQR blog, Jennifer Niesslein interviews essayists on whether their success is based on how amiable they are. “I think it’s ridiculous to expect to like someone who wrote a book you love, but the increasing visibility of writers on social media—who are expected to be the ambassadors of their books—amps up the pressure to be well-liked,” Cheryl Strayed said.
New this week: The Ocean at the End of the Lane by Neil Gaiman, Carnival by Rawi Hage, In the House upon the Dirt between the Lake and the Woods by Matt Bell, Children of the Jacaranda Tree by Sahar Delijani, the collected letters of Italo Calvino, and the seventh issue of McSweeney’s food mag Lucky Peach.
In a recent interview with Bookforum, Wells Tower dropped an enticing little detail about his latest project: a novel. Playing coy with the interviewer, Tower admitted only that “it will concern a family and it will contain a good number of pages.” No release date has been set at this time.
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. “As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood,” writes the Los Angeles Times. Pair with Jason Arthur‘s essay on novels about work.
“I’m used to writing in very weird contexts.” Poet Brian Sonia-Wallace talks with Minnesota’s Star Tribune about his gig as the Mall of America’s first-ever writer in residence. Asked if he’ll go crazy during his several-day-long tenure, Sonia-Wallace answered “probably” (via Bookforum). Our own Marie Myung-Ok Lee had some opinions back when the residency was first announced.