The Guardian picked its longlist for the 15th annual First Book Award, and it features selections from both NoViolet Bulawayo and Donal Ryan – two authors named to this year’s Booker Longlist as well.
Tana French pegs the cause of Ireland’s financial crisis on “a total disconnect between action and consequence.” For many Irish citizens since the collapse of the Celtic Tiger, she writes, “their whole sense of a world governed by coherent cause and effect, of their ability to have any agency in their own lives, came under attack.” Bonus: our own Edan Lepucki has previously written about French’s novels and plotting.
“Despite a glut of English translations (well over a hundred, by my count),” writes Dante scholar Robert Pogue Harrison, “New versions of the entire [Divine Comedy] poem or individual canticles continue to appear in rapid succession—six in the last decade alone.” Over at the New York Review of Books, he investigates three of the latest: Dan Brown’s Inferno, Mary Jo Bang’s Inferno, and Clive James’s Divine Comedy.
If you missed Apple’s “Education Announcement” last Thursday, you can check out Peter Kafka’s play-by-play coverage of the event for AllThingsD. The whole affair made quite a splash because the biggest publishers in the world today are education publishers. The star of the show was iBooks 2, and it has many people talking: some view it as education publishing’s savior, some fear it, and others think its EULA is downright creepy. At least one person believes the whole idea might’ve been the brain child of a lowly intern. And, finally, what should we make of Steve Jobs’ 1996 admission that “what’s wrong with education cannot be fixed with technology?”
Jaden Smith is going from an action movie career to starring in an adaptation of James McBride’s National Book Award-winning The Good Lord Bird. Liev Schreiber will play John Brown. If you’re unsure about casting a rapper to play the protagonist, take it up with McBride, who is also producing the film.
Watching your book be adapted into a film can be a challenge for an author. At Vulture, John Green discusses his involvement in The Fault in Our Stars adaptation, which he has nothing but positive things to say about. “It was a joke on the movie that I cried every day. But I cried every day because they were good every day!” The film’s full trailer was released this week, and in case you still haven’t read the novel, here’s our review.