Last Tuesday, I wrote about an article in the Literary Review that shed light on the daughters of Wordsworth and Coleridge. Now, in the LRB, Tim Parks reviews a new biography of the children of Charles Dickens. (Related: our own Mark O’Connell reviewed Mr. Parks’s new book.)
There is going to be a documentary about Joan Didion. We repeat: a documentary about Joan Didion. This is not a drill. Watch the opening trailer and consider donating to the Kickstarter campaign here, and be sure to read our own Michael Borne‘s review of Blue Nights and S.J. Culver‘s Millions essay on “Getting Out: Escaping with Joan Didion.”
In 2010, the poet Tarfia Faizullah traveled to Bangladesh to speak with the survivors of the 1971 Liberation War. Eventually, she wrote a poetry collection about those interviews, which went on to win the Crab Orchard Series First Book Award. At The Paris Review Daily, Sean Carman interviews Faizullah.
Over at The Atlantic, Terrence Rafferty claims that women are writing the best crime novels. “Their books are light on gunplay, heavy on emotional violence. Murder is de rigueur in the genre, so people die at the hands of others—lovers, neighbors, obsessive strangers—but the body counts tend to be on the low side,” he writes. Pair with this Millions piece on novels where women are true detectives.
The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.