Ernest Hemingway was a great drinking buddy as long as you didn’t make any plans with him. At The Moth, author A.E. Hotchner recounts when Hemingway convinced him to be a matador for the day.
Life as an Afición
Flying Mice
Seemingly from the realm of science fiction comes a recent announcement from NASA’s Jet Propulsion Laboratory: Scientists there have succeeded in levitating mice.
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Lay Down Your Arms
Growing up, I was always taught that chickens lay eggs and people lie down. Since then, I’ve always been irritated by that verb’s misuse. But maybe it’s time to settle down and relax. Maybe, as Kathryn D. Blanchard argues, it’s time to stop “clinging to values that no longer serve their purposes.”
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Reading Lists for Fall
The editors at Poetry have compiled a reading list from their contributors’ suggestions, and the result is a healthy mix of poetry books new and old. Pair their suggestions with Tom Nissley‘s “September Books: A Reading List for Beginnings.”
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Elmore Leonard’s Detroit
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
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Lost English Letters
I suppose that “Now I know my thorn, wynn, yoghs…” just doesn’t have the same ring to it, after all.
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Rimbaud in Ethiopia
From The New York Times Travel section, a look at the Ethiopian city where Rimbaud, the poet behind A Season in Hell, “finally found a kind of peace.”
Time Magazine Goes Soft
Last week, a lot of people were disappointed by Time‘s decision to “water down” the latest issue’s cover for its American audience. As a follow-up, ShortFormBlog takes a look at the publication’s history of doing this, and also their reasoning.
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Don’t Mess with Shakespeare
“Last week, the Oregon Shakespeare Festival announced that it had commissioned thirty-six playwrights to translate all of Shakespeare’s plays into modern English. The backlash began immediately.” The New Yorker on why we don’t change Shakespeare’s language. You could also check out our traditional and modern readings of Shakespeare.
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