Henrietta Lacks is finally getting some credit for her genome’s contribution to science. The subject of The Immortal Life of Henrietta Lacks was formally recognized by the US National Institutes of Health for her HeLa cells.
Lacking Lacks
The Power of Social Media (And Sexts)
Poet Elisa Gabbert recaps the warm-your-heart generosity of poet (and “Poet Laureate of Twitter”) Patricia Lockwood’s Twitter followers.
I Heart Antosha Chekhonte
This summer Antosha Chekhonte’s (aka Anton Chekhov‘s) first book The Prank will finally be published after more than 130 years of waiting, and it’s been described as “frankly indispensable for readers of Chekhov, or Russian literature, or comedic literature, or parody, or any and all literature” generally. Pair with our own Sonya Chung‘s essay, “I Heart Chekhov.”
Facebook’s Hype
The Facebook IPO was this week’s biggest story. The social media giant, which boasts 800 million members, is seeking a $75-$100 billion market valuation. But hold your horses, investors. A lot of that optimism could be empty hype. After all, look at the site’s requested valuation as a percentage of its 2011 revenue, and compare it to other tech giants like Google and Microsoft. Also, contrary to Mark Zuckerberg’s claim, most of the world does not, in fact, “have access to the internet or mobile phones.”
●
●
The Scanner, Darkly
A used-book flipper, armed with a laser scanner and a PDA, delineates the unease he feels about the odd profession he has chosen.
●
●
I created an internet buzz when I smiled
The Amherst College Archives have discovered what could be the second photograph in existence of Emily Dickinson.
●
●
Every Love Story Gets a Book Trailer
The book trailer is out for Every Love Story Is a Ghost Story, D. T. Max’s biography of David Foster Wallace — it features a brief cameo from yours truly. The book’s opening paragraphs appeared on our site this week, too.
What’s Next? The KGB Bar Run By the Real KGB?
Over at Salon, Joel Whitney explains how The Paris Review worked with the CIA and “served, in part, as a covert international weapon of soft power.” While the possibility is certainly tantalizing, it’s necessary to read Whitney’s article alongside Carolyn Kellogg’s piece in the LA Times, which notes how “the threads of the article … become unsupportably tenuous” as it carries on.
He’s Right. Eihi Shiina is Terrifying.
I’ve mentioned my love for the movie recommendation site Netflixia before, but if you find its selection a little predictable or tame, you should give try out some of the titles on Christopher Higgs’ list of “The 50 Best Movies on Netflix Instant.” (Note: some of the list’s images might be a bit racy for work.)