“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
How to Build a Book
“An index also lays out the complexity of the book into pristine statements”
In a neat little essay for Vouched Books, Kyle Winkler advocates indexing as a means of tempering the “fuckstorm of reading.”
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Grit & Grace
At The New York Times, Stanley Fish on True Grit as “a truly religious movie” in its understanding of the Christian idea of grace.
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Book Club Guilt
“denial. A defense mechanism predicated on your inability to accept the painful reality that you are supposed to be reading the selected novel that you literally tried to bury.” At The Toast, Zane Shetler writes a glossary of book club defense mechanisms. Pair with: Our essay on spying on your book club friends.
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Too Much Imagining
Jonah Lehrer has resigned from his staff position at the New Yorker, after Tablet Magazine revealed he had fabricated quotes–from Bob Dylan, no less!–in his bestseller Imagine: How Creativity Works, which since has been pulled from the market. Michael C. Moynihan, the journalist who discovered the deception, was interviewed by the Observer, saying he felt “horrible” watching vitriolic reactions pour in. Previously the book saw critique for its loose science in both The New Republic and The Millions.
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Meta-Dialogue
The terrific Gary Amdahl (Visigoth, I Am Death), talks shop with A Public Space.
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Light ‘Em Up
Fact or Fiction: Smoking makes you look cool. According to Christopher Urban at The Paris Review, it’s an inarguable fact. Now at least let him defend himself. How cool does young Raymond Carver sound with his candy Lucky Strike?
Beckett’s Books
The Cambridge University Press just published The Letters of Samuel Beckett, Vol. 2. (Vol. 1 can be found here.) That alone is worth your time, but as an added bonus the Press’ blog has compiled a partial syllabus for the author — a sampling of the titles “on the writer’s nightstand … from 1941 to 1956.”