“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
How to Build a Book
Aftermath
“So what now? Well, first and foremost, we need to feel.” The New Yorker has essays from sixteen writers including Toni Morrison, Junot Diaz, Mary Karr, and Gary Shteyngart on the causes for and effects of Trump’s win.
newspeak is actualy newtxt
John McWhorter, linguist and author of What Language is (And What it Isn’t and What it Could Be), takes a look at the history of spoken and written language in an effort to understand how text messaging, IMs, and other informal forms of written language impact literacy.
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Are You Experienced?
Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
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40 Years of Terry Gross
“Over the years, Gross has done some 13,000 interviews, and the sheer range of people she has spoken to, coupled with her intelligence and empathy, has given her the status of national interviewer. Think of it as a symbolic role, like the poet laureate — someone whose job it is to ask the questions, with a degree of art and honor.” Terry Gross sits down with The New York Times Magazine in honor of her 40th anniversary hosting Fresh Air.
Is It Now.
With texting and instant messaging perpetually on the rise, the world’s punctuation is starting to evolve. At The New Republic, Ben Crair identifies an odd new consequence of this change: the period is now a sign of anger.