The book Wretched Writing is exactly what you think it is: a compendium of artless puns, dead metaphors and drama-turned-accidental-comedy. At The American Spectator, Matthew Walther takes a tour.
“He was always doing so”
When He Was Good
The 80th birthday of Philip Roth inspires a festschrift of sorts over at New York Magazine, with Sam Lipsyte, Kathryn Schulz, James Franco (natch), and others weighing in on Roth’s Best Book and other vexed questions. (For the record, it’s Sabbath’s Theater.)
Responding to Sexual Violence
“Eventually, the judicial bureaucracy begins to seem almost as destructive as the rapist.” Domenica Ruta writes on Emily Winslow’s Jane Doe January and Joanna Connors’ I Will Find You, two books that probe our culture’s failure to address sexual violence. Pair with a piece on poetry as a response to sexual violence.
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On Pronouns and Ownership
Dr. Dennis Ryan Storoshenko is conducting research for a Yale Linguistics project, looking to ask people about theirselves and their pronouns. Take a minute of your time to help him out.
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Like Something in the Movies
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
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Koestler the Dangerous Intellectual
The Times Literary Supplement profiles Darkness at Noon author Arthur Koestler as an iconic “Dangerous Intellectual”: “‘My analysis … is: one third genius, one third blackguard and one third lunatic …’”
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2017 Newbery and Caldecott Winners
Kelly Barnhill, author of The Girl Who Drank the Moon, is the winner of this year’s Newbery Medal for “most outstanding contribution to children’s literature,” and Javaka Steptoe, author of Radiant Child: The Story of Young Artist Jean-Michel Basquiat, won this year’s Caldecott Medal.
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