Ever thought that writing a novel was like a video game you just couldn’t win? In the new video game The Novelist, players count pages not bodies as they try to help the protagonist balance writing with his family life. “There’s no winning or losing,” designer Kent Hudson said. “[M]y hope is that as you’re presented with the same fundamental question … over the course of the game, that you start to learn about your own values.”
Man Booker judge Colin Thubron expressed frustration with gushing book blurbs, which he says “almost blackmail” readers: “you’re either intellectually or morally incompetent if you don’t love this book or you’ve failed if you haven’t understood it.” Our own Bill Morris tackled the age old question—”To Blurb or not Blurb”—a few years ago.
“If you ask around, I’m sure you’ll be able to find a really bad novel easily enough. I mean a novel by someone who has spent isolated years writing a book they are convinced is a great work of literature. And when you’re reading it you’ll know it’s bad, and you’ll know what bad truly is.” What makes bad writing so bad? Toby Litt at The Guardian investigates.
The bookstore business is supposed to be dying, but Ann Patchett begs to differ. She discussed her independent shop, Parnassus Books, and the future of bookstores for The Daily Beast’s “How I Write” series. “I can’t remember the last time I was in a bad bookstore. The future of independent bookstores is strong. We need to be small. The day of the 30,000 square foot bookstore is over, but the day of the 3000 square foot bookstore has arrived.” Patchett was also interviewed for The New York Times “By the Book” series, where she said Charlotte’s Web had such an impact on her as a kid that she got a pet pig and became a vegetarian.
On Thursday, March 22nd at 7pm, Hari Kunzru will visit WORD bookstore at 126 Franklin Street, Brooklyn, NY for an event co-hosted by The Millions. Visit the WORD website for further details and RSVP. See you there!
Edvard Munch’s The Scream recently garnered a record breaking $119.9 million at Sotheby’s in New York. Despite the “tasty narrative potential” of the iconic artwork, the Pulitizer Prize winning art critic Holland Cotter thinks that the painting’s new owner spent their vast sum of money unwisely.