At Full-Stop, Eric Jett reflects on the wisdom of a possibly apocryphal commandment by Mark Twain: “Never argue with stupid people.”
Gaining Experience
Traduttori traditori (“translators traitors”)
“As energy loss is an unavoidable fact of mechanics — no mechanism can be 100% efficient, and the best a designer can do is manage the loss as productively as possible — so translation loss is similarly unavoidable,” explains Mark Davie, who recently translated Galileo’s Selected Writings. But what if the “energy loss” isn’t a failure of the work’s translator so much as a failure of the organization commissioning (or failing to commission) the translation? What if, as is the case for much Arabic literature, “the process [of selecting works for translation] is based on a political consideration” that deprives Western readers of the best Arabic literary work?
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Ways of Seeing
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
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Growing Up
It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn't the answer to our problems?
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Taking Risks on the Page
Over at Catapult, Idra Novey writes on how her experience as a translator changed how she approaches her own work as a novelist. Pair with Magdalena Edwards’s Millions essay on reading Clarice Lispector in English.
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“Total student”
To survive in the wastelands of Twitter, the promising spambot needs to craft an interesting bio. Which explains why one bot assumed the mantle of “bacon ninja.”
New Michael Lewis Book On the Way
Michael Lewis’s next book, which is due to hit shelves in March, will be concerned with “the financial world.” And that’s really all we know about it at this point.
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