Romeo and Juliet is getting the Downton Abbey treatment. The first trailer for Julian Fellowes’ adaptation is out and features Hailee Steinfeld and Douglas Booth as the ill-fated young lovers.
From the Crawleys to the Capulets
“Wounded Women”
“I am worried about the implications of throwing the label ‘women’s pain’ around individual experiences of suffering, and I am even more uncomfortable with women who feel free to speak for all women. I worry about making pain a ticket to gain entry into the women’s club. And I worry that the assumption of vulnerability threatens to invigorate just the sexist evils it aims to combat by demanding that men serve as shields against it.” In an essay for the Boston Review, Jessa Crispin shares her concerns about the “wounded women” trend in literature right now, citing Leslie Jamison‘s The Empathy Exams and Roxane Gay‘s Bad Feminist as well the Twitter campaign #yesallwomen as particular examples. Pair with Ryan Teitman‘s Millions review of The Empathy Exams.
#NYTMagStory
What happens when Kate Atkinson leads a cadre of New York Times readers through a rousing game of Exquisite Corpse? Find out over here.
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Tuesday New Release Day: Haddon, Walter, Lanchester, Tóibín, Ondaatje
New this week are Mark Haddon’s The Red House, Jess Walter’s Beautiful Ruins, John Lanchester’s Capital, and a collection of essays from Colm Tóibín, New Ways to Kill Your Mother: Writers and Their Families. Michael Ondaatje’s The Cat’s Table is now out in paperback.
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Ask a Librarian
“Is it possible to keep an octopus in a private home?” “Are Plato, Aristotle, and Socrates the same person?” Oh, the things people have asked reference librarians.
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It Isn’t Even Past
“People used to wish that life could be as it is in books—that it could have the beauty, drama, and shapeliness that writers gave it. Today, by contrast, we hope desperately that life is not really like our writers portray it; in other words, we hope that writers are not representative men and women, but unfit beings whose perceptions are filtered through their unhealth. It is necessary to hope this, because if life were as it appears in our literature it would be unlivable.” Adam Kirsch explores the downside of literary nostalgia.
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