“Try to imagine Hemingway telling Fitzgerald, ‘My tailor flamed me on Amazon because I panned him on Yelp.'” Author D. Foy wrote a negative review of a tailor on Yelp, so the tailor threatened to pan his forthcoming book, Made to Break, on Amazon.
“But even among its peers, Louie is an outlier. It is a show that, more than any other, both caters to this new kind of audience — the Laptop Loners — and has, as its creator, a member of the club…we are living in the iGeneration, in which the self is projected back toward the world via social media. But whereas many Americans weave their public personas from curated chains of cultural signifiers — think of the popular web platform tumblr, where users ‘express themselves’ by posting digital reproductions of existing images — [Louis] C.K. aims for something more penetrating, a filmic representation of his own psyche,” claims the Los Angeles Review of Books.
This month, a Brentwood School archivist unearthed a two-page poem entitled “A Dissertation on the task of writing a poem on a candle and an account of some of the difficulties thereto pertaining.” The kicker? It was written by a 17-year-old Douglas Adams, nine years before he published The Hitchhiker’s Guide to the Galaxy.
“The problem is that young children have terrible taste and enjoy garbage. Another problem, which compounds the first problem, is that they want to hear the same books hundreds of times in a row. So for all the joys that storytime can offer, it frequently entails a kind of dismal self-abnegation that’s too excruciating even to describe as tedium—an actively painful sense of my precious time on earth being torn from my chest and tossed into a furnace.” Gabriel Roth writes about the terrible Poky Little Puppy for Slate, and his complaints pair well with Jacob Lambert‘s Millions series, “Are Picture Books Leading Our Children Astray?” and “Again, I Ask…“
We thoroughly enjoyed the latest episode of David Naimon‘s Between the Covers podcast featuring Whiting-Award winner Tyehimba Jess. The conversation centers on Jess’s latest book, Olio, a tour de force hybrid-genre exploration of African-American performers from the period just before the American Civil War through World War I. (Previously: We recommended Jess’s Leadbelly as perfect reading for train travel.)