What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren’t just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.
Haven’t heard of Teffi? You can blame that one on the Bolsheviks. The early-20th-century Russian poet, playwright and journalist, whose fans included (oddly enough) both Vladimir Lenin and Tsar Nikolai, had to flee a Moscow in turmoil to avoid persecution as a dissident. Now, several publishers are reprinting her memoir of exile, for which The New Statesman has details and a short biography.
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
I’m not that into ballet, but if I had to be, I’d be into 1,000 frame-per-second footage of German ballet dancers prancing around to a dance-y remix of Radiohead’s “Everything In Its Right Place.”