What’s the deal with all the fake birds animated into fantasy and sci-fi films these days? According to Brian Thill, these digital flocks “aren’t just there to make the unreal scenes feel a bit more real” but are rather signifiers of “our oldest and most common metaphor for freedom.” What to make of their ability to evade disaster or succumb to it, however, is another story entirely.
Fantastical Fowl
On The Making of The Blues Brothers
“‘We had a budget in the movie for cocaine for night shoots,’ [Dan] Aykroyd says.”
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“All dialogue? Really?”
Seeing as the latest Dave Eggers book consists of all dialogue, it’s a good time to look back on the history of all-dialogue novels. Alexander Kalamaroff, writing for The Rumpus, identifies a few examples, among them The Waves by Virginia Woolf and numerous works in Sixty Stories by Donald Barthelme.
Feminist Bookstores Resisting Trump and Getting Stronger Sales
“The feminist bookstores in the nation’s largest cities are experiencing the most significant upticks in sales, as well as in foot traffic.” We love bookstores here at the Millions, especially feminist ones. So we were ecstatic to see this piece in Publisher’s Weekly about the bonanza of feminist bookstores seeing an increase in sales and attention. While there are not many of these bookstores left, the ones that are still alive attribute their increased popularity to the ‘Trump bump.’ Read the story here and be sure to visit all the bookstores mentioned the next time you’re in town.
How the Nobel Odds Are Made
Ladbrokes, the popular bookmaker, has correctly predicted the winner of the Nobel Prize in Literature with “a 50 percent accuracy rate” over the past eight years. This remarkable record is noteworthy because the oddsmakers do not actually read any of the books, and they do not go about “forming an opinion about the relative merits of each author.” Instead, the folks responsible for each year’s odds “appl[y] a numerical value to things like industry chatter, an author’s nationality, historical precedent.” So, that in mind, how confident do you feel about Haruki Murakami’s chances?
Welcome Back, Y’all!
Three cheers to the return of storied magazines! This month, The Baffler and Collier’s made triumphant returns after lulls of 2 and 55 years, respectively. Meanwhile, over at Johns Hopkins Magazine, Paris Review editor Lorin Stein explains why “literary magazines still matter.” And, if you know anyone with some extra cash, they could become the next owner of Variety.